It may seem misanthropic to criticize a collection in which all 18 stories were donated to benefit Share Our Strength, an anti- hunger group. But charity shouldn't be a cover for bad writing, and this hodgepodge has more than its share of sloppy work. The tales reflect a common intent, the exploration of domestic life in all its messiness, returning again and again to the effort to define the meaning of ``home.'' Melanie Rae Thon's ``The Snow Thief'' focuses on an unhappy, childless woman, keeping a deathwatch for her father and looking back over her life; Po Bronson's ``The Impossible to Kill Me Game'' explores a fatherless young boy's fear of abandonment surfacing as his mother takes up with a new man. In Gary Krist's facile ``Sleep,'' an anxious broker in international finance chooses family over the incessant late- night calls from London. And in Louis B. Jones's clever ``Stone,'' a married man's focus on passing a kidney stone allows him to ignore everything else in his life crumbling around him. Judith Freeman revisits the muted world of her Mormon parents in ``Ofelia Rodriguez,'' the story of their unexpected daughter-in-law and grandchild. There are singularly amateurish stories by the poet Alice Fulton and newcomer Heidi Julavits: The first is a clumsy tale of Irish-Catholic spinster aunts, the second a confusing attempt at a cinematic-style chronicle about a distracted, impotent anthropologist, his suicidal wife, and the crew that chooses to film her death rather than save her. Robert Phillips's ``News About People You Know,'' tracing the inadvertent consequences of a social column in a small-town newspaper, stands out for its simple narrative virtues. Despite the claim that this is a collection of previously unpublished stories, at least two pieces (Frederick Barthelme's ``Dallas'' and Louis B. Jones's ``The Stone'') have appeared, in different versions, in print before. The consolation for this decidedly mixed collection: Your money goes to a good cause.
Pub Date: Nov. 14, 1996
ISBN: 0-15-600246-9
Page Count: 336
Publisher: Harvest/Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1996
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
