by Eugena Pilek ‧ RELEASE DATE: July 1, 2005
One scene comes needlessly close to Bull Durham (the town beauty becomes a serial dater of transient ballplayers), and...
The town that baseball built has some mean secrets that throw a wrench into a handful of lives in Us Weekly editor Pilek’s atmospheric and character-filled debut.
Cooperstown is a place so redolent of America that it has taken on the stature of myth. But there are skeletons in its closets, and Pilek pries them out into the light of day to atone for their sins. The ghosts threaten the town’s very foundation: without baseball, the quaint, kempt town would be just another hardscrabble upstate municipality. Without the glory of the baseball’s immaculate conception on its soil, no one would visit. Pilek never gets ponderous with all this, but, instead, she plays it like background music to the residents who live the myth. Forget about the economics; it’s those who identify with the story of the sport’s origins who will pay the price for having stumbled upon closets with ghosts. One will die of a heart attack, another will hang himself, a third will go mute and mad, another turn to booze, a fifth lose everything and go live in the woods. Still, Pilek is not here to play the wasp with a sting. These episodes have already been played out before the story takes root, and Pilek’s tale is in their being put to right, offering a touch of redemption—of the people, not the sport—and taking a peek at why some things endure and others fall by the wayside. Certainly, the good doesn’t always endure. Promising marriages fail, decent lives are quashed, the myth continues to devour even as it sustains. Perhaps it’s time for the myth to move on.
One scene comes needlessly close to Bull Durham (the town beauty becomes a serial dater of transient ballplayers), and another to Shoeless Joe (a dead father appears from on high), but, otherwise, Pilek offers a choice piece of baseballiana.Pub Date: July 1, 2005
ISBN: 0-7432-6694-3
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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