by Eugene Bull ‧ RELEASE DATE: Nov. 5, 2011
Filled with explosions, multiple double crossings and distrust among the characters—all the ingredients for an unyielding...
A wrongfully accused government employee goes on a global trek, exposing clandestine operations and eluding men who circumvent obstacles with violence and murder.
Peter Graser, an analyst for the U.S. State Department, is at a party, keeping an eye on Irina Belakova, a woman who works for Russian intelligence but is being paid by the State Department for information relating to the Iranian ambassador to the U.N., with whom Irina is having an affair. Also in attendance is the assistant secretary for Intelligence and Research, who collapses and dies mere seconds after speaking with Peter. This is just the beginning of an elaborate series of events that ultimately proves to be a frame-up against Peter: an unsanctioned memo sent from his computer, a failed polygraph test and fingerprints connecting him to a murder weapon. Significant plot points accumulate quickly, but the story never feels convoluted. It’s more like a secret slowly being revealed, as details are introduced but not fully explained until later, such as Peter’s family fleeing Iran when he was young, how his family died and Roya, an Iranian woman he’s known since childhood. Peter’s association with Roya only deepens the suspicion against him. Their relationship is a narrative highpoint, their forbidden love and opposing political ideals making them an international Romeo and Juliet. Peter absconds to other countries, going first to London, where he investigates the hazy particulars of his father’s death. Once in the Middle East, Peter unravels a potential uprising, but on a much grander scale than he can anticipate. A steady pace is maintained throughout, and while there are more leisurely moments to piece together the ongoing threads of the story, there are numerous revelations and twists to throw readers back into the story headfirst.
Filled with explosions, multiple double crossings and distrust among the characters—all the ingredients for an unyielding political thriller running full tilt.Pub Date: Nov. 5, 2011
ISBN: 978-0615547695
Page Count: 376
Publisher: Silent Rivers Press
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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