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RENATO AFTER ALBA

Repetitions from the previous book and the sometimes-artless echoes of the artist’s grieving inflate and mar what is still...

The question here is how to go on after the death of a loved one with a life so seemingly empty yet still filled with family, friends, and the remnants of years devoted to art.

In this painful sequel to the author’s Renato, the Painter (2012), etc., and the fourth book featuring the Cavalu-Stillamare clan, the artist at 83 confronts the loss of Alba, his beloved wife, a woman with whom he first made love when he was 17. After a plaintive opening lament, “this defective memoir,” written three to four years after the death, tells of how Renato joined the clan as a foundling, one of many passages that largely repeat material from the previous book. Then he returns briefly to the 20 hours of painful torment Alba suffered until death came before shifting again to the succor of other memories, of childhood, family gatherings, and how the family and one’s circle of friends have changed with the passage of time. Grief is an awful thing, and Mirabelli conveys it sometimes awkwardly, as when a paragraph consists of the word “Die” repeated 120 times in Renato’s verbal bid to join his wife. Other times the author is touching and persuasive, as in the inventory of “all her little private things” in a purse he finds while disposing of Alba’s clothing. Renato finds comfort with family and friends and then a new friendship with a barista who lost her husband to brain cancer. What he doesn’t do is paint, something he couldn’t not do in the previous book. But art won’t let him go. A major exhibition begins to take shape, revealing a chance yet for healing a deeply wounded heart.

Repetitions from the previous book and the sometimes-artless echoes of the artist’s grieving inflate and mar what is still an affecting look at memory, loss, and love.

Pub Date: Nov. 4, 2016

ISBN: 978-1-62054-026-8

Page Count: 192

Publisher: McPherson & Company

Review Posted Online: July 26, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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