A bittersweet, beautiful story that, improbable though some of it may be, speaks wisely to life’s truths.
Multigenerational novel of a Sicilian clan that leaves a memorable stamp in the old country and the new.
Like Pietro di Donato, whose Christ in Concrete is now a largely forgotten classic of the Italian American experience, Mirabelli has attracted a small but dedicated readership. His new novel—made up of three parts previously published as The Goddess in Love With a Horse (2008), Renato, the Painter (2012), and Renato After Alba (2016), which have been combined and revised—merits wide attention. The first section is an exercise in magic realism, an improbable genealogy of the Cavallù clan, its name suggestive of horses—and indeed, the progenitor is half horse. Says Angelo, a simple miller, to his astonished bride, “God created horses just to show us what He could do in the way of power and beauty, and when He finished, He admired His handiwork.” Of course, adds Mirabelli, that’s perfectly in keeping with the Sicilian bloodline and its mishmash of Carthaginians, Romans, Greeks, Arabs, Jews, and other Mediterraneans. Another young man, swept up in the turmoil of the Garibaldian revolution, entreats a sea goddess very much like Aphrodite to marry him, begetting the lineage that leads to our title character, adopted into the Cavallù-Stillamare clan, whose patriarch believes that “his children were born with the talent to write a sonnet, drive a car, draw, dance or fight, the same as they were born with the capacity to speak and sing.” Renato is a touch more limited; though a brilliant artist, he doesn’t have much luck placing his work, and a long-unfolding battle with an almost stereotypically arrogant gallery owner is a central episode in the middle section. Renato has a huge heart, though, taking in a street waif of otherworldly ancestry and her child. In the bargain, Renato constantly tries the patience of his wife, Alba, an absent but tutelary presence in the last section, when Renato is old, widowed, and lonely: “I had kept hoping to die but it hadn’t happened and after a while I gave up trying and pretended to live, just doing the things that living people do.” A bittersweet, beautiful story that, improbable though some of it may be, speaks wisely to life’s truths.Pub Date: Oct. 23, 2020
ISBN: 978-1-62054-042-8
Page Count: 592
Publisher: McPherson & Company
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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