It's still a pretty good book, especially in its lively first half. Ehrlich has invaded Thomas Berger’s territory and...

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GRANT SPEAKS

The recent glut of fiction grounded in American history continues apace with this entertaining second novel from the author of Big Government (1998), purportedly the story of ‘the previously unknown first draft’ of our 18th president's published Memoirs.

Ehrlich's protagonist and narrator is in reality, we're assured, Hiram Ulysses Grant, an underachieving misfit who profited from a tragic accident by appropriating the identity of his much-admired namesake and neighbor—renowned as ‘Useful,’ in contrast to his usurper (locally dubbed ‘Useless’). If you buy this particular stretcher, you'll enjoy Ehrlich's/Useless's vividly detailed re-creations of Grant's serendipitous career at West Point, distinguished service in the Mexican War (a sequence that compares interestingly with Jeff Shaara's Gone for Soldiers, p. 506), business failures and descent into alcoholism, greater military success as Civil War Commander of the Union Army of the Potomac, and postwar tenure as a chief executive hamstrung by widespread graft and `an endless parade of speculators, victimized Negroes, and displaced Indians.’ Ehrlich gives this Grant a marvelously flexible and sardonic colloquial voice, and enlivens his story with briskly retold heroic tales (the campaigns of Shiloh and Vicksburg are especially well depicted). There are several fine flinty characterizations, notably that of Grant's military colleague (and perhaps dark other half ?), the foulmouthed, manic-depressive General William T. Sherman. But two grievous errors stand out: Ehrlich's inexplicable decision to portray Abraham Lincoln as a cackling, vainglorious redneck (a blot on the novel barely qualified by Grant's later testimony to Lincoln's greatness), and the several coincidental reappearances, in different circumstances and guises, of ‘the real’ Ulysses S. Grant—and the manner in which this eccentric plot constituent is permitted to jerry-rig the harshly ironic conclusion.

It's still a pretty good book, especially in its lively first half. Ehrlich has invaded Thomas Berger’s territory and emerged (as might be expected) without victory, but without disgracing himself either.

Pub Date: June 15, 2000

ISBN: 0-446-52387-9

Page Count: 288

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2000

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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