Next book

FRANCISCO GOYA

A LIFE

Well-crafted musings on living in violent and troubled times, using one of the greatest artists of that genre as a lens.

From literary nonfiction author and novelist Connell (Deus Lo Volt!, 2000, etc.), an idiosyncratic consideration of the groundbreaking Spanish artist.

Perhaps it is the violent lunacy of the world since 9/11, but Goya (1746–1828), creator of the Disasters of War etchings and of paintings depicting the brutal Napoleonic occupation of Spain, appears to be an artist for our time. Connell, who has addressed the hell at which we arrive by taking that road paved with good intentions in such nonfiction as Son of the Morning Star (1984), is the latest in a string of storytellers to tackle the Spanish master, following by mere months the publication of art critic Robert Hughes’s more conventional Goya (p. 1164). The author captures the contradictions and dangers inherent in being a member of the establishment during periods of serial oppression and liberation, with fanatical religion tossed into the mix. Though Connell always writes from a personal point of view, his prose here is oddly detached, considering the colorful subject matter. Frequent digressions sometimes lead to a fascinating tale of great—though not obvious— relevance; a whole chapter about Barcelona after the Spanish Civil War (and long after Goya’s death), recalling anti-Franco guerillas, fear of exposure, and torturous death, forcibly calls to mind both pre- and post-liberation Iraq, reminding us that Goya captured the grim, eternal ugliness of war. As an art historian, however, Connell leaves something to be desired. His constant speculation on the meaning of Goya’s work, and his basic incomprehension of pre-modern artistic conventions, might cause a specialist to gloss over parts of this. The absence of illustrations is likewise frustrating, given the viscerally pictorial nature of Goya’s art.

Well-crafted musings on living in violent and troubled times, using one of the greatest artists of that genre as a lens.

Pub Date: Feb. 1, 2004

ISBN: 1-58243-307-0

Page Count: 272

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Close Quickview