Magnificent stuff. Readers who have already been captivated by Connell's departures from conventional fictional form will be...

DEUS LO VOLT!

CHRONICLE OF THE CRUSADES

The Crusades of the late-11th through early13th centuries are the subjects of this brimming, though by no means sprawling, semidocumentary novel, Connell's first since The Alchemist's Journal (1991).

Beginning with his enormously successful nonfictional history of Custer's Last Stand, Son of the Morning Star (1984), Connell has cultivated an increasingly opaque, strippeddown style that he modulates to telling effect in this anecdotal summary overview of the numerous attempts by many different ``soldiers of Christ'' to liberate the holy city of Jerusalem from Muslim ``infidels''—because, they are commanded to believe, ``God wills it!'' (Deus lo volt!). Jean de Joinville, son of an illustrious Frankish family, tells of his service in the Holy Land as ``seneschal'' (personal steward) to pious French King Louis IX; but Jean's (foreshortened) own story is preceded by fully fourfifths of the text, which recounts at leisure and in (often fascinating) dense period detail the history of Christianity's long foreign ordeal, beginning with Pope Urban's impassioned call-to-arms in a.d. 1095. The book’s eccentric proportions, however, in no way diminish the effect of the ravishing tale Connell spins (in the economical manner perfected by such classical historians as Herodotus and Livy): a colorful chronicle of exhaustive political intrigue, military hardship, heroism, and sacrifice, and rapturously related ``miracles''—culled from various contemporary sources, featuring such vivid historical figures as Richard the LionHearted and the wily Saracen leader Saladin, and expressed in Jean de Joinville's grave, reverential, utterly convincing voice. Deus lo volt! isn't exactly a novel; it's more of a narrative ``omnium gatherum,'' or ``anatomy,'' much closer in spirit to medieval saints' lives and wonder tales than to virtually any contemporary fiction about its demanding subject (Zoe Oldenbourg's almost forgotten historical novels are perhaps its closest equivalent).

Magnificent stuff. Readers who have already been captivated by Connell's departures from conventional fictional form will be eager to follow him down this curious and remarkable book's intricate, pristine, and illuminating path.

Pub Date: May 1, 2000

ISBN: 1-58243-065-9

Page Count: 480

Publisher: Counterpoint

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2000

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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