A small, brittle, not entirely focused story of class and lost illusions.
The web of unhappiness ensnaring the children of an upper-class English family fascinates a restless American visitor.
Chilly, and peopled by a cast of more or less damaged characters, Toynton’s (The Oriental Wife, 2011, etc.) third novel spins a downbeat tale exploring the destructive spiral of the Digby family, whose idyllic Devon home is also the heart of its suffering. The house is presided over by matriarch and famous scientist Helena, whose domineering, narcissistic personality has extended a profound influence over her three children. This history is uncovered slowly by an outsider, widowed American Annie Devereaux, who has fled New York after her husband’s sudden death. An unexpected encounter on a London street with Helena’s son, Julian, leads to a relationship that morphs from sex and sharing into withering cruelty, apparently Julian’s familiar pattern. But before the relationship founders, Annie is introduced to Julian’s sister Isabel, who offers another facet of the family—beautiful, intellectual, and wounded. There’s also a third sibling, math prodigy Sasha, whose mental illness is at times an effective weapon against her selfishly controlling mother. Annie, with her Anglophilia and romantic view of Devon, courtesy of her long-absent father, is magnetized by both Isabel and her home. The text is sprinkled with references to Brideshead Revisited, Toynton’s acknowledgement of some parallels between the two stories. But she pulls her own narrative westward, setting up contrasts between Britain and the U.S. and problematical single-family homes on either side of the Atlantic. It’s a finely phrased and observed piece of writing but doesn’t fully characterize its narrator nor break the doomed family out of the mold. Even though the Digby secrets are exposed and Annie moves on to yet another (imperfect) relationship, little emerges in the way of resolution.
A small, brittle, not entirely focused story of class and lost illusions.Pub Date: Sept. 17, 2019
ISBN: 978-1-59051-921-9
Page Count: 272
Publisher: Other Press
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
A flawed but never dull drama.
A disadvantaged teen finds friendship, acceptance and love with a prosperous Seattle-area family, until a tragic accident changes everything.
Alexa (Lexi) Baill, daughter of a heroin addict, has bounced around the foster-care system for years. A long-lost great aunt, Eva, a Walmart employee, offers Lexi a home in her trailer across the bridge from Pine Island (Hannah’s fictional stand-in for Bainbridge Island) near Seattle. At Pine Island High School, Mia, daughter of Jude and Miles Farraday, and twin sister of Zachary, considers herself an outcast. She bonds instantly with the equally alienated Lexi. Soon, the Farraday’s opulent Pine Island residence is Lexi’s second home. As senior year approaches, Lexi and Zach fall in love and are relieved that Mia approves. Jude, whose days are a pleasant whirl of caring for her elaborate garden and being a supermom, has a strained relationship with her own mother. As seniors, Zach, Mia and Lexi can’t avoid Pine Island’s teen party scene. One foggy night, Zach and Mia get falling-down drunk, and Lexi, less inebriated, urges Zach to let her drive his Mustang home. (The question of who actually drove is left vague, which dodges several moral bullets, to the story’s detriment.) On a hairpin curve, the Mustang spins out and crashes. Mia is thrown from the backseat and killed. Zach and Lexi sustain milder injuries, but Lexi’s blood-alcohol level was above the legal limit, and she accepts the blame for killing Mia. Jude turns against her implacably. Lexi, unwilling to burden Eva with the expense of a trial, pleads guilty to vehicular homicide and serves over five years in prison. While incarcerated, she gives birth to Zach’s child, Grace, and relinquishes her to the Farradays. Grace bears such an uncanny resemblance to Mia that Jude finds it almost impossible to warm to her. Released from prison, Lexi returns to Pine Island, only to find that her daughter is as isolated and distrustful as any foster child.
A flawed but never dull drama.Pub Date: March 29, 2011
ISBN: 978-0-312-36442-7
Page Count: 400
Publisher: St. Martin's
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
Another artistic triumph, and surefire bestseller, for this fearless writer.
This Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women.
Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam’s childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it’s 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It’s the eighth year of Soviet occupation—bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul’s true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam’s objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he’ll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it’s short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination.
Another artistic triumph, and surefire bestseller, for this fearless writer.Pub Date: May 22, 2007
ISBN: 1-59448-950-5
Page Count: 336
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK TO SCREEN
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