A first-rate literary work and a character study of loss.

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THE ORIENTAL WIFE

Painful echoes of the Holocaust resonate in Toynton's literary effort.

In the troubled years between the World Wars, Rolf and Otto, and Otto's cousin, Louisa, children of prosperous Jewish families in Nuremberg, Germany, become devoted friends. In the midst of growing unrest and increasing anti-Semitism, Franz and his wife, a woman plagued by "nerves," send Louisa to a Swiss boarding school, then to England. Rolf's family too realizes Hitler's hell is descending on Jews. With family help, Rolf emigrates to America, finds employment and plunges into volunteer work helping other Jews escape. Otto follows. Louisa, however, is seduced by one Englishman, and then another, before the friends finally meet in New York City. Stolid, conservative Rolf and fun-loving, adventurous Louisa marry, each seeking what the other will never be able to give. Louisa becomes pregnant. Then she is almost immediately diagnosed with a benign brain tumor. Surgery leaves her partially paralyzed and baby Emma in the care of a duplicitous housekeeper, a hypocrite Rolf cannot recognize. That Louisa is no longer the person Rolf idealized leads to divorce, something they each regard as a confirmation of their destiny to be unhappy. Adult Emma sees the divorce as betrayal, a failure later mirrored when Emma is betrayed by her own lover, a mysterious Cambodian activist. While almost every other character is superbly realized, Otto's story is the least explored, perhaps presenting him as a metaphor for those who escaped without crippling emotional damage. Toynton also delves into the melancholy fate of Louisa's parents and their friends, a doctor and his wife, who fled the Nazis but languish in America, haunted by the "Old World...with all its weight of senseless suffering." Toynton's work is deeply emotional, capturing the malaise shadowing those from whom everything familiar, everything loved, has been stolen, symbolized at the novel's conclusion by an heirloom locket snatched away from Emma by a mugger.

A first-rate literary work and a character study of loss.

Pub Date: July 19, 2011

ISBN: 978-1-59051-441-2

Page Count: 304

Publisher: Other Press

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be...

LOVECRAFT COUNTRY

Some very nice, very smart African-Americans are plunged into netherworlds of malevolent sorcery in the waning days of Jim Crow—as if Jim Crow alone wasn’t enough of a curse to begin with.

In the northern U.S. of the mid-1950s, as depicted in this merrily macabre pastiche by Ruff (The Mirage, 2012, etc.), Driving While Black is an even more perilous proposition than it is now. Ask Atticus Turner, an African-American Korean War veteran and science-fiction buff, who is compelled to face an all-too-customary gauntlet of racist highway patrolmen and hostile white roadside hamlets en route from his South Side Chicago home to a remote Massachusetts village in search of his curmudgeonly father, Montrose, who was lured away by a young white “sharp dresser” driving a silver Cadillac with tinted windows. At least Atticus isn’t alone; his uncle George, who puts out annual editions of The Safe Negro Travel Guide, is splitting driving duties in his Packard station wagon “with inlaid birch trim and side paneling.” Also along for the ride is Atticus’ childhood friend Letitia Dandridge, another sci-fi fan, whose family lived in the same neighborhood as the Turners. It turns out this road trip is merely the beginning of a series of bizarre chimerical adventures ensnaring both the Turner and Dandridge clans in ancient rituals, arcane magical texts, alternate universes, and transmogrifying potions, all of which bears some resemblance to the supernatural visions of H.P. Lovecraft and other gothic dream makers of the past. Ruff’s ripping yarns often pile on contrivances and overextend the narratives in the grand manner of pulp storytelling, but the reinvented mythos here seems to have aroused in him a newfound empathy and engagement with his characters.

If nothing else, you have to giggle over how this novel’s namesake, who held vicious white supremacist opinions, must be doing triple axels in his grave at the way his imagination has been so impudently shaken and stirred.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-229206-3

Page Count: 432

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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