Excerpts from the Wilson horror oeuvre of the past 20 years, chosen by the author (Deep as the Marrow, 1997, etc.) as his choicest stories, all previously published in genre magazines and in his hardcover collections. Printed for the first time are a very bloody, busy, one-act stage adaptation of his story —Pelts— (set for Off-Broadway as part of a Grand Guignol evening called Screamplay, which never happened), and a 21-minute television play, —Glim-Glim,— for the show Monsters. These 13 short fictions and two plays range from the Lovecraftian (—The Barrens,— Wilson’s official tribute to HPL, which opens with the not very Lovecraftian sentence, —I shot my answering machine today—) to the Western supernatural (—The Tenth Toe,— a story dictated by Doc Holliday). Also here: the long —A Day in the Life,— about high-spirited disguise artist Repairman Jack, who appeared first in The Tomb (1981) and this year in Legacies. Each story in the sheaf gets its own introduction by Wilson, who tells about his ups and downs in the horror field while practicing medicine full-time and trying to be a good husband and a father to two teenage daughters, all while designing a flow chart to keep his submissions and rejections straight. Though some fans prefer Wilson’s believable medical suspense thrillers to his supernatural tales, the present collection shows him richly endowed in the short form—but not as strong as in such novels as The Keep (Nazi vampires) and his malignant-entity trilogy begun in 1990 with Reborn—about an incredibly intelligent baby who reads books and newspapers. Aside from the title story, the one true standout here is —Definitive Therapy,— in which Wilson tries to outdo Jack Nicholson’s version of The Joker in Batman by having The Joker locked up in Arkham Asylum and given a thorough psychiatric evaluation that eventually turns against the shrink himself. No disappointments here.

Pub Date: Dec. 10, 1998

ISBN: 0-312-86416-7

Page Count: 352

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.


In Walsh’s American debut, a woman desperately tries to find out why the man she spent a whirlwind week with never called.

Sarah has just separated from her American husband and is visiting her hometown in England when she meets Eddie. He’s kind and charming, and although they only spend one week together, she falls in love. When he has to leave for a trip, she knows they’ll keep in touch—they’re already making plans for the rest of their lives. But then Eddie never calls, and Sarah’s increasingly frantic efforts to contact him are fruitless. Is he hurt? Is he dead? As her friends tell her, there’s a far greater likelihood that he’s just blowing her off—she’s been ghosted. After trying to track Eddie down at a football game, Sarah starts to become ashamed of herself—after all, she’s almost 40 years old and she’s essentially stalking a man who never called her. But as Sarah slowly learns, she and Eddie didn’t actually meet randomly—they both have a connection to an accident that happened years ago, and it may have something to do with why he disappeared. The tension quickly amps up as the secrets of Eddie’s and Sarah’s pasts are revealed, and the truth behind their connection is genuinely surprising and heartbreaking. The barriers between Sarah and Eddie seem insurmountable at times, and although their issues are resolved in a tidy manner, the emotions behind their actions are always believable. Walsh has created a deeply moving romance with an intriguing mystery and a touching portrait of grief at its heart.

A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.

Pub Date: July 24, 2018

ISBN: 978-0-525-52277-5

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.

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A withdrawn graduate student embarks on an epic quest to restore balance to the world in this long-anticipated follow-up to The Night Circus (2011).

Zachary Ezra Rawlins is a typical millennial introvert; he likes video games, escapist reading, and drinking sidecars. But when he recognizes himself in the pages of a mysterious book from the university library, he's unnerved—and determined to uncover the truth. What begins as a journey for answers turns into something much bigger, and Zachary must decide whether to trust the handsome stranger he meets at a highflying literary fundraiser in New York or to retreat back to his thesis and forget the whole affair. In a high-wire feat of metatextual derring-do, Morgenstern weaves Zachary's adventure into a stunning array of linked fables, myths, and origin stories. There are pirates and weary travelers, painters who can see the future, lovers torn asunder, a menacing Owl King, and safe harbors for all the stories of the world, far below the Earth on the golden shores of a Starless Sea. Clocking in at more than 500 pages, the novel requires patience as Morgenstern puts all the pieces in place, but it is exquisitely pleasurable to watch the gears of this epic fantasy turn once they're set in motion. As in The Night Circus, Morgenstern is at her best when she imagines worlds and rooms and parties in vivid detail, right down to the ballroom stairs "festooned with lanterns and garlands of paper dipped in gold" or a cloak carved from ice with "ships and sailors and sea monsters...lost in the drifting snow." This novel is a love letter to readers as much as an invitation: Come and see how much magic is left in the world. Fans of Neil Gaiman and V.E. Schwab, Kelly Link and Susanna Clarke will want to heed the call.

An ambitious and bewitching gem of a book with mystery and passion inscribed on every page.

Pub Date: Nov. 5, 2019

ISBN: 978-0-385-54121-3

Page Count: 512

Publisher: Doubleday

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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