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A CURIOUS MATTER OF MEN WITH WINGS

A promising beginning. Readers with an interest in folklore, fantasy, and Southern letters alike will find this a treat.

Magical realism comes to the Carolina Lowcountry in this quietly elegant debut novel by Hammes (Director, Creative Writing Program/Charleston County School of the Arts).

The “men with wings” of the title is no metaphor: There are men with wings flying about, “flocks of winged men in the sky,” and they’re not angels—even if, as we learn, they helped enslaved African people escape from the rice fields of the South Carolina coast and make their way north, and they continue to help by showing where game is hiding and where wells should be dug. One white family, the Walpoles, lives among the Gullah people, and when their daughter disappears in a moment worthy of The Secret of Roan Inish, that family begins to fall to pieces. It’s the girl’s brothers, Bohicket and Ley, who try to hold things together, meanwhile hatching plots of their own to find young Dew: “Had she drowned? They couldn’t say. Or had she been kidnapped by those, uh…creatures in the sky?” Revenge will be theirs, if only they can find the answer and maybe castrate the evildoers—and if Dew in fact survived the tumble from their johnboat into the waves. The search for Dew frames much of the story, but the real virtues of this well-spun yarn are its portrayal of the dynamic of a decidedly eccentric family and revealing look inside the little-known world of the island people, whose folk beliefs date back many centuries and prove to be of help in the Walpoles’ travails. Hammes often writes with a poet’s touch (“He just stood there aghast, quietly staring down at the question-mark shape of this last and final answer”), and if the story wanders into increasingly improbable territory, it’s one for which readers will gladly suspend disbelief.

A promising beginning. Readers with an interest in folklore, fantasy, and Southern letters alike will find this a treat.

Pub Date: Sept. 25, 2018

ISBN: 978-1-7325398-2-2

Page Count: 288

Publisher: SFK Press

Review Posted Online: Oct. 5, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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