A fun, fast read with some history and feminist themes thrown in.
In her latest historical novel, Justice (Sword of the Gladiatrix, 2015, etc.) examines the life of little-known Roman empress Placidia.
In the fifth century, the Roman territory of Ravenna in northern Italy is sacked by the Goths. Young Princess Placidia is captured and held as a “guest” in the Goths’ royal court so that she can be used as a negotiation tool with the Romans. The author creates great tension as readers follow Placidia to the Gothic land, where she’s taken care of by Queen Gaatha, the wife of Alaric, king of the Goths. After a series of events that warms Placidia to the barbarian tribe, she finds herself falling for Ataulf, Gaatha’s brother, who takes control of the Goths after Alaric falls dead of a fever. Alaric’s and others’ demises come rather abruptly, but the book is an addictive read, as Justice chooses her key moments wisely, weaving a decadeslong narrative about Placidia’s layered life as she rises to eventual leadership. The opening scenes make clear that as a woman, Placidia’s bloodline is her most useful asset in ancient society. The author does a fine job of delicately underlining the limits of female governance during the period, creating sympathy for the heroine, whose only option is to rule through men. The sharp protagonist effectively navigates the politics surrounding her incapable brother, as well as conspirators, tragic deaths, and war, all while trying to save the nearly deflated Roman Empire. Justice shies away from in-depth political and geographical history, which keeps the novel from feeling like a historical lesson; however, at times, the text feels rushed, with myriad new names constantly appearing. If the author had allowed the various characters a little more room to breathe, it would have added more richness to the book. That said, the prose is tight and clean throughout, and the characters’ missions are always clear despite the complexities of the situations.
A fun, fast read with some history and feminist themes thrown in.Pub Date: May 8, 2017
ISBN: 978-0-692-46051-1
Page Count: 392
Publisher: Raggedy Moon Books
Review Posted Online: Nov. 24, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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