Weldon's kicking up her heels again, and raising great, intoxicating clouds of dust, in this delectable new novel written all around the theme of infidelity. Or perhaps the theme's just sex—which, when it occurs extramaritally, can't be gainsaid or stopped: it's just the ``Life Force...leaping...like electricity, from this one to that one, burning us up, wearing us out, making us old, passing on, its only purpose its own survival...the best thing that ever happened to us.'' Here, the ``Life Force'' is embodied by an ambitious London developer, Leslie Beck, he ``of the active penis,'' which is on record as being ``exactly one-seventh his height'' (and he is not that short). In the 70's, it seems, a bevy of yuppie housewives danced to his tune, including: the lonely mountain-climber's wife Rosalie (whose husband walked into the hills one day and never returned); her friend Nora; Nora's erstwhile friend Susan (whom Nora caught in a clutch with her very own husband, ergo the erstwhile); and Marion, who, together with Leslie, sold the baby they made to a nice couple from Johannesburg, and then opened an art gallery with the spoils. Twenty years after foxy Leslie has had his day in the chicken coop, he reappears, a 60-year-old widower, to make things happen in the lives of all these women again. The results are perfect Weldon off-the-wall: arson set by Nora since her husband's finally left her; the surprise appearance of Leslie and Marion's South African son; and the return of Rosalie's mountaineering Ulysses, who shows up just in time to save Rosalie from being electrocuted in the bathtub by a mass murderer beau. Who cares if the voice occasionally sounds a little treacly as it addresses its ``dear reader.'' The rest is great fun: Virginia Woolf with a pineapple on her head and no problem with sex at all.
Pub Date: Feb. 1, 1992
ISBN: 0-670-84146-3
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
IN THE NEWS
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
