This tale of three cities loses cohesiveness amid all the globetrotting.
Poet and novelist Reeve (Robert Frost in Russia, 2001) offers a knotty, self-consciously literary narrative about two sisters, one a London painter, the other an academic living in Paris, who eventually transform themselves in New York.
After a childhood spent living with Aunt Margaret in Evanston, Ill., the girls went their separate ways and have not seen each other since. In Paris, Christine DeKalb is a Rousseau scholar who has married a hot-shot American venture capitalist, Mark, and has an eight-year-old, thoroughly Frenchified son, Nicholas. Jan Sawyer, a recovered drug addict whose painting is just beginning to take off and earn money, lives in a Camden Town squat with her funny, lovable boyfriend, guitarist Tom Henderson. In alternate chapters, Reeve records the lives of the sisters, which move in a parallel direction, then gradually intersect, at the urging of Aunt Margaret, in a Christmas card. Christine’s situation is more dire, as she confesses to her sister when they meet in London: Unhappy with the fashionable social rounds her arrogant husband secures through his Common-Market ties, Christine is having an affair with a Norwegian composer and filmmaker. Moreover, Christine has discovered that Mark’s business éminence grise, Ron Harmon, has actually sponsored her academic position without her knowledge, thus exposing her husband as a Machiavellian opportunist. To further test the sisters’ maturity, Jan is offered a commission she can’t refuse: to come to New York and paint self-congratulatory portraits of Harmon, Mark and the influential hostess and socialite niece from whom the men derive their power. Reeve’s story is a kind of cultural patchwork among the three cities (the scenes of New York are most unconvincing). The dialogue is a sophisticated prattle featuring pretentious quotes from Bartlett’s, and there’s plenty of corny national stereotyping—Nadine the French housekeeper, for instance, bakes tarts all day.
This tale of three cities loses cohesiveness amid all the globetrotting.Pub Date: Oct. 31, 2005
ISBN: 1-59051-145-X
Page Count: 352
Publisher: Other Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2005
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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