A bruising, punishing read: not to be missed.

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THE FURIES

Two lovers seemingly meant for each other plunge into a hellfire of contention, recrimination, and grief in Eberstadt’s unsparing fourth novel (after When the Sons of Heaven Meet the Daughters of the Earth, 1997).

She’s overachieving Gwen Lewis, who works for a privately funded human rights organization offering redevelopment aid throughout the former Soviet Union. He’s Gideon Wolkowitz, an anarchic puppeteer and street theater performer whose merry band (Pants on Fire) is devoted to sabotaging NYC Mayor Giuliani’s policy of selling publicly owned buildings to corporations. Accidentally meeting both at home and abroad, Gwen and Gideon instantly, ecstatically connect: their mutual sexual hunger recognizes no boundaries, and when Gwen finds herself unexpectedly, inconveniently pregnant, they bravely rearrange priorities, and marry. Then the furies begin to descend. In a densely allusive, insistently metaphoric prose style (somewhat akin to Hortense Calisher’s), Eberstadt brilliantly employs a form of hectoring direct address to both her protagonists, concentrating with—well, furious intensity on Gwen’s panicky realization that the imperatives of childrearing may forever estrange her from her chosen life, and on Gideon’s constant need (shaped by a loveless itinerant childhood and youth) for validation and security. He loses himself in “work” scorned by Gwen’s upscale family and friends. She doggedly juggles care of infant daughter Bella with the career that’s slowly slipping away from her. Both parents are caught in “the trap of love-gone-wrong: you withdraw your love, and your lover, feeling unloved, acts only the more unlovable . . . . ” The noose never relaxes: a horrific shock climax seems to promise the freedom each demands of the other, but brings only further compromise and captivity. This essentially unoriginal plot gains great depth from two exhaustively penetrating characterizations and from Eberstadt’s virtual genius for ironically precise summary statement (“The earth is the Lord’s, but the abominations that you commit on it are your own,” etc.).

A bruising, punishing read: not to be missed.

Pub Date: Sept. 12, 2003

ISBN: 0-375-41256-5

Page Count: 464

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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