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BALLET FOR LIFE

A PICTORIAL MEMOIR

Browsable inspiration for dancers of any age or physical ability.

Awards & Accolades

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Ballet master Jhung (The Finis Jhung Ballet Technique, 2014) leaps into the spotlight with a memoir about his life and enduring career.

The Honolulu-born author says he knew that he was going to be a dancer in 1946, when he was only 9 years old. His father was Korean-American, and his mother had Scottish, English, and Korean roots; after World War II, they divorced, and Jhung’s mother struggled financially to raise him and his two brothers. Even so, the author was later able to attend the University of Utah, where he learned ballet from William F. Christensen, a founder of the San Francisco Ballet. A college friend connected Jhung with composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II, and in 1960, he danced in their Broadway musical Flower Drum Song. His career took him to the San Francisco Ballet and both the Robert Joffrey Ballet and the Harkness Ballet in New York City. However, he gave it all up in 1969 to devote his life to Buddhism. By 1972, though, he’d returned to his passion and become a dance teacher. Jhung now teaches all ages and skill levels. This is an expansive memoir with many striking black-and-white photos. Jhung’s prose feels familial, as if one is sitting with him as he points to photos and remembers stories. For example, next to an image of himself dancing as a child, he writes, “If you look through the doorway behind me, you can see a wrapped gift on the bed. Could we be celebrating my mom’s wedding?” It’s a down-to-earth voice—at one point, he describes ballet as “a ‘bitchy’ art”—and some of his stories have compellingly eccentric characters, such as a Danish dancer named Lone Isaksen. Other memories, such as the death of his first child, are sharply poignant. The final chapters include a daily log of Jhung’s recovery from hip surgery and gushing student recommendations that read like ads for his classes. However, other student anecdotes are more memorable; one 67-year-old woman, told by her physical therapist that she needed to use a walker, took dance lessons instead.

Browsable inspiration for dancers of any age or physical ability.

Pub Date: Jan. 5, 2018

ISBN: 978-0-9913898-0-3

Page Count: 500

Publisher: Ballet Dynamics, Inc.

Review Posted Online: Feb. 23, 2018

Kirkus Reviews Issue: April 1, 2018

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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