In this contemplative, illustrated fable, a fearful yak and a yearning yeti travel separate paths before reaching a critical encounter.
Along a snowy trail in the Himalayas, a yak spots footprints going in different directions, likely those of the yeti he fears. He decides to stick to his current path since there “is no way to avoid this great beast.” Meanwhile, the yeti, who “always strolled with ease,” comes upon a fork in another trail. He tries to engage with some small animals, yet they fear him, so he tosses them nuts and moves on. The yak plows on, burdened by past and perceived sightings of the yeti and his own mournful visage reflected in water. Having a more “adventurous spirit,” the yeti, as in the past, retrieves the body of a climber that failed to heed the mountains’ “silent warning.” Drawing from his picture books and observations of nearby monks, the yeti goes through “many rituals in preparation of the body for eating that were not necessary for the preparation of food,” including throwing the climber’s clothes back off the cliff as a final memorial. After both creatures commune with the stars, the yak sees the glowing light of the yeti’s cave, then feels the “encouragement” of the rope by which the yeti pulls him in. By story’s end, the yak has a new perspective on what he feared along with free choice regarding his next steps. In her latest “Zen tale,” this author provides a story rich in psychological dimension. The illustrations showcase and underscore the stark, surreal setting that’s also quite effectively sketched within the text. Some accompanying material, including back-of-book lists of favorite writers and movies, detracts a bit from the core narrative’s power, although it also conveys some authorial charm. The yeti’s eating of humans is disturbing, although this also serves to offer some suspense for readers and additional food for philosophical thought; the yeti doesn’t kill the humans, after all, and he honors the dead.
Striking, memorable allegory of the challenges and choices of existence.
Pub Date: Sept. 23, 2014
ISBN: 978-1500835897
Page Count: 128
Publisher: CreateSpace
Review Posted Online: Dec. 15, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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