by Fiston Mwanza Mujila ; translated by Roland Glasser ‧ RELEASE DATE: Sept. 15, 2015
One’s admiration for the novel will be highly influenced by one’s tolerance for experimental, relatively plotless fiction.
Stylistically quirky and unorthodox fiction from Africa.
Perhaps contrary to one’s expectations, the title refers not to a British streetcar but to a seedy nightclub in an unnamed African country referred to only as the City-State. Tram 83 is the locus of those driven by ambition, desire, greed, or pleasure—and in this underworld we meet quite a cast of characters. Gathering at this disreputable watering hole are “inadvertent musicians and elderly prostitutes and prestidigitators and Pentecostal preachers and students resembling mechanics and doctors conducting diagnoses in nightclubs and young journalists already retired and transvestites…”—and the list goes on for more than 40 entries. The women who go to Tram 83, all of whom “struggle fiercely against ageing,” range from the “baby-chicks” (younger than 16), the “single-mamas” (between 20 and 40), and the “ageless-women” (41 and older). Mujila also has a propensity for allegory, as is clear by the names he assigns those involved in the narrative. Lucien, an aspiring author, is one of the named characters, but more typical are types like the General, Mortal Combat, Requiem, and the Diva. While the novel has several narrative threads, Mujila is not working in the George Eliot tradition of realistic fiction. Instead, incidents lurch from one thing to another—sexual encounters to blackmail to the mineral-rich Hope mine. Much of the dialogue is repetitious and antiphonal, as recurring phrases such as "Do you have the time?" and "I hate foreplay" help create and define the atmosphere at the nightclub.
One’s admiration for the novel will be highly influenced by one’s tolerance for experimental, relatively plotless fiction.Pub Date: Sept. 15, 2015
ISBN: 978-1-941920-04-6
Page Count: 200
Publisher: Deep Vellum
Review Posted Online: June 27, 2015
Kirkus Reviews Issue: July 15, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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