This earnest Latino first-grader who overcomes obstacles and solves mysteries is a winning character

PEDRO, FIRST-GRADE HERO

From the Pedro series , Vol. 1

The creators of the Katie Woo series turn their focus to a peripheral character, first-grader Pedro—Katie’s friend and schoolmate.

Four short chapters—“Pedro Goes Buggy,” “Pedro’s Big Goal,” “Pedro’s Mystery Club,” and “Pedro For President”—highlight a Latino main character surrounded by a superbly diverse cast. At times unsure of himself, Pedro is extremely likable, for he wants to do his best and is a fair friend. He consistently comes out on top, even when his younger brother releases all the bugs he’s captured for a class assignment or when self-assured bully Roddy tries to unite opposition to Pedro’s female opponent (Katie Woo) in the race for first-grade class president. Using a third-person, past-tense narrative voice, Manushkin expands her repertoire by adding a hero comparable to EllRay Jakes. What is refreshing about the book is that for the most part, aside from Roddy’s gender-based bullying, the book overcomes boy-girl stereotypes: girls and boys play soccer, boys and girls run for president, girls and boys hunt for bugs, all setting a progressive standard for chapter books. With mixed-media illustrations featuring colorful bugs, soccer action, a mystery hunt, and a presidential campaign, Lyon’s attention to detail in color and facial expressions complements the story nicely.

This earnest Latino first-grader who overcomes obstacles and solves mysteries is a winning character . (Fiction. 5-7)

Pub Date: Sept. 1, 2016

ISBN: 978-1-5158-0112-2

Page Count: 96

Publisher: Picture Window Books

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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Accessible, reassuring and hopeful.

THE INVISIBLE BOY

This endearing picture book about a timid boy who longs to belong has an agenda but delivers its message with great sensitivity.

Brian wants to join in but is overlooked, even ostracized, by his classmates. Readers first see him alone on the front endpapers, drawing in chalk on the ground. The school scenarios are uncomfortably familiar: High-maintenance children get the teacher’s attention; team captains choose kickball players by popularity and athletic ability; chatter about birthday parties indicates they are not inclusive events. Tender illustrations rendered in glowing hues capture Brian’s isolation deftly; compared to the others and his surroundings, he appears in black and white. What saves Brian is his creativity. As he draws, Brian imagines amazing stories, including a poignant one about a superhero with the power to make friends. When a new boy takes some ribbing, it is Brian who leaves an illustrated note to make him feel better. The boy does not forget this gesture. It only takes one person noticing Brian for the others to see his talents have value; that he has something to contribute. Brian’s colors pop. In the closing endpapers, Brian’s classmates are spread around him on the ground, “wearing” his chalk-drawn wings and capes. Use this to start a discussion: The author includes suggested questions and recommended reading lists for adults and children.

Accessible, reassuring and hopeful. (Picture book. 5-7)

Pub Date: Oct. 8, 2013

ISBN: 978-1-582-46450-3

Page Count: 40

Publisher: Knopf

Review Posted Online: Aug. 21, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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A full-hearted valentine.

THIS IS A SCHOOL

A soaring panegyric to elementary school as a communal place to learn and grow.

“This is a kid,” Schu begins. “This is a kid in a class. This is a class in a hall….” If that class—possibly second graders, though they could be a year to either side of that—numbers only about a dozen in Jamison’s bright paintings, it makes up for that in diversity, with shiny faces of variously brown or olive complexion well outnumbering paler ones; one child using a wheelchair; and at least two who appear to be Asian. (The adult staff is likewise racially diverse.) The children are individualized in the art, but the author’s narrative is addressed more to an older set of readers as it runs almost entirely to collective nouns and abstract concepts: “We share. We help. / This is a community, growing.” Younger audiences will zero in on the pictures, which depict easily recognizable scenes of both individual and collective learning and play, with adults and classmates always on hand to help out or join in. Signs of conflict are unrealistically absent, but an occasional downcast look does add a bit of nuance to the general air of eager positivity on display. A sad face at an apartment window with a comment that “[s]ometimes something happens, and we can’t all be together” can be interpreted as an oblique reference to pandemic closings, but the central message here is that school is a physical space, not a virtual one, where learning and community happen. (This book was reviewed digitally.)

A full-hearted valentine. (Picture book. 5-7)

Pub Date: March 29, 2022

ISBN: 978-1-5362-0458-2

Page Count: 40

Publisher: Candlewick

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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