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LILLA’S FEAST

A STORY OF FOOD, LOVE, AND WAR IN THE ORIENT

A minor story, to be sure, but very well told.

A bright if modest tale of stiff-upper-lip indomitability against deadly odds.

“This is a story of what large-scale history does to the small-scale people caught up in its events,” writes London-based journalist Osborne by way of introducing the saga of her great-grandmother Lilla. Born to colonial parents in China in the glory days of the empire, Lilla learned of the tragic side of life early on: her father killed himself when she was just short of three, ostensibly because he had been bitten by a rabid dog, more likely because his wife was in love with another man. Lilla married young and moved with her army officer husband, Ernest Howell, to India, only to learn that the match wasn’t quite heaven-made; even so, “in an almost childish way, she seems to have loved Ernie most when he wasn’t interested in her.” He died when his troop ship was sunk by a German submarine in 1915, and, Osborne writes rather archly, Lilla “played at being Ernie’s widow just as she had played at being his wife.” Returning to China, she lived comfortably until December 1941, when Japanese troops interned the European residents of Chefoo. Just shy of 60, Lilla had begun writing a cookbook some time earlier; now, imprisoned in Chefoo and later in the frozen northern Chinese city of Weihsien, she returned to it just to have something to do. The recipes aren’t much, notable mostly for their absence of any kind of spice, but they clearly must have been challenging to write; as the camp rations were systematically cut as the Japanese began to lose the war, as meat and flour and oil went by the wayside, “bringing herself to type out these recipes must have begun to feel like self-torture,” but also a curious exercise in hope. In all events, doing the work kept Lilla alive—indeed, she lived to be 100.

A minor story, to be sure, but very well told.

Pub Date: Oct. 1, 2004

ISBN: 0-345-46700-0

Page Count: 320

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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