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LOVE IN LOWERCASE

A satisfyingly quaint romance.

A series of surprising events lends a solitary bachelor a second chance at love.

Samuel, a linguistics lecturer in Madrid, lives a reclusive life of teaching, lesson-planning, and housework—a routine in which the greatest thrill is an occasional trip to the supermarket. He’s eschewed a social life for so long that he ushers in the New Year watching TV alone in his apartment and criticizing the revelers outside. But all that changes on New Year’s Day when he wakes up to the scratchings of a cat on his apartment door. The cat takes up residence in Samuel’s home and forces him to interact with the messy outside world—by escaping to the apartment upstairs, where Samuel encounters a philosophizing editor named Titus, who sends him on an errand where he crosses paths with Gabriela, his lost childhood love. Along the way Samuel learns the importance of what he terms "love in lowercase"—a phenomenon in which “some small act of kindness sets off a chain of events that comes around again in the form of multiplied love”—inspiring him to enjoy life’s smaller moments and seek out Gabriela. The quest to find Gabriela is genuinely charming if a little predictable, and Samuel, full of awkwardness and good intentions, is an easy protagonist to root for. The simplicity of Miralles’ writing is also key; his short chapters are like brief, linked thoughts that highlight the magic in the ordinary (as Samuel wanders the city one night, the moon is described as “a giant, milk-colored fruit”). Although Samuel’s revelations can be bluntly rendered—“I leapt out of bed, fired by the conviction that I was the master of my own fate,” he muses one morning—it’s in line with the earnest, genuine nature of a romance that involves meddlesome cats, fate, and lots of musings on Goethe, Kafka, and Rilke.

A satisfyingly quaint romance.

Pub Date: Jan. 26, 2016

ISBN: 978-0-14-312821-2

Page Count: 240

Publisher: Penguin

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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