A darkly humorous, rapid-fire read in which the living are sometimes scarier than the dead.
Her family has been a target of slurs—“trailer dogs,” “rednecks”—but she may still save the town.
Eighteen-year-old Zora Novak is down two parents and two fingers, living in a trailer on the town outskirts with her sister, Sadie, because their mom’s missing and father’s in jail. Deceptively quaint Addamsville, Indiana, relies on a thriving ghost-tourism industry, although Zora’s the only person who can see the departed. But the ghosts (thankfully gloomy, not gruesome) are restless, and there’s a shape-shifting, ghost-eating firestarter on the loose, destroying property and possibly possessing people. Like a profane, brunette Buffy, Zora has a gift but needs a Scooby gang to help her save Addamsville. Reluctantly allying with reformed (maybe) firestarter Bach and insufferably perfect cousin Artemis, Zora attempts to dispatch the firestarter, sabotage a ghost-hunting TV crew, solve mysteries, survive high school…and avoid maiming, death, or serious jail time. Abrasive, defensive, and secretly sentimental, Zora doesn't let social pariahdom stand in the way of fulfilling her paranormal duties. Zappia (Eliza and Her Monsters, 2017, etc.) both invokes and subverts poverty porn, dark tourism, and small-minded small-town life in this arch look at social inequalities that doesn't skimp on supernatural spookiness, slapstick, or teenage snark. Main characters follow a white default, but there is some ethnic diversity in secondary characters.
A darkly humorous, rapid-fire read in which the living are sometimes scarier than the dead. (Paranormal. 14-18)Pub Date: Oct. 1, 2019
ISBN: 978-0-06-293527-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: June 17, 2019
Kirkus Reviews Issue: July 15, 2019
A thoughtful and thrilling story of life, death, and meaning.
Two teens train to be society-sanctioned killers in an otherwise immortal world.
On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty. The vivid and often violent action unfolds slowly, anchored in complex worldbuilding and propelled by political machinations and existential musings. Scythes’ journal entries accompany Rowan’s and Citra’s dual and dueling narratives, revealing both personal struggles and societal problems. The futuristic post–2042 MidMerican world is both dystopia and utopia, free of fear, unexpected death, and blatant racism—multiracial main characters discuss their diverse ethnic percentages rather than purity—but also lacking creativity, emotion, and purpose. Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions.
A thoughtful and thrilling story of life, death, and meaning. (Science fiction. 14 & up)Pub Date: Nov. 29, 2016
ISBN: 978-1-4424-7242-6
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.
A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).
Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)Pub Date: Jan. 8, 2019
ISBN: 978-0-316-31035-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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