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CHUCKERMAN MAKES A MOVIE

A funny, romantic story about how “the road you think you’re not taking can become the road you’re actually on.”

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A man writing a screenplay about an unforgettable childhood winter discovers more about his family—and himself—than he ever expected in this comic romance.

In 2002, New Yorker David Melman, a 35-year-old self-proclaimed “marketing and fragrance genius,” isn’t a big film buff, so he’s skeptical when his older sister Marcy suggests that he take a class called “Drama for the First-Time Film Writer,” taught by her friend Laurel Sorenson. But after some pressure, David gives in and enrolls. He initially plans to write about “a perfume maker named Mort Chuckerman who loses his sense of smell,” but Laurel (known to David’s brother-in-law as “The Mormon Rodeo,” for mysterious reasons) suggests that David write instead about the yellow 1970s Cadillac Coupe de Ville that he inherited from his grandfather Slip Melman. Soon, David’s scribbles yield a complicated, zany tale set in the winter of 1977, involving Slip’s banishment from the Men’s Card Room, a game room at his Florida apartment complex; Slip’s wife Estelle’s determination to finally learn to drive; and the antics of a colorful cast of Jewish retirees who make up the Melmans’ neighbors, friends, and enemies. Meanwhile, David dates the Mormon Rodeo, although things get complicated when it’s revealed that she may move to Los Angeles. It’s just supposed to be a fling, but although she’s not his first rodeo, she just might be his last. Dickman’s debut novel is witty and observant throughout, and she packs her prose with sensory detail, as when she describes the aforementioned Men’s Card Room’s “signature stench—humidity mixed with cigars mixed with...stale sweat.” That said, the characters can be stereotypical at times, with an immature hotshot with no time for love, an eccentric artist who shows him a new path, and a bickering but affectionate Jewish family. However, she makes them all feel unique with telling touches, such as Grandma Estelle’s Adidas driving sneakers or David’s “banana boat” creation: a banana stuffed with a Three Musketeers bar.

A funny, romantic story about how “the road you think you’re not taking can become the road you’re actually on.”

Pub Date: Oct. 9, 2018

ISBN: 978-1-63152-485-1

Page Count: 256

Publisher: She Writes Press

Review Posted Online: June 5, 2018

Kirkus Reviews Issue: July 1, 2018

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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