Full canvas as the blood flies.
Fourth or fifth “Return to Treasure Island” novel striving to re-create Stevenson’s breezy blood-and-thunder in a new course on the old chart—and tempting the reader with leftover loot still awaiting its return to civilization.
Stevenson’s mesmerizing storytelling voice remains unique, but pseudonymous Bryan (“a very prominent British broadcast journalist”) captures much of the original narrative’s fast action and flying musket balls. With Jim Hawkins now 21, Bryan sensibly upgrades the story from boys’ adventure to young adult, adding a large dollop of sexually subliminal love-interest along with a fresh sense of “drink and the devil” among pirates. Also back: the charming rascality of Long John Silver, last seen making off with a bag of coins and his parrot, Cap’n Flint. Jim is now an innkeeper who has invested his earlier share of the treasure in outfitting his late father’s Admiral Benbow Inn and attracting a higher clientele than rapscallions like Blind Pew, Bill Bones, and Black Dog, who once hid out there roaring oaths and singing “Fifteen men on a dead man’s chest.” The first body drops early. Grace Richardson, on the run with her unruly 12-year-old son Louis, approaches Jim to help her find Joseph Tait, the roughest of three pirates left marooned on Treasure Island as the Hispaniola sailed off. On the road, Grace and Jim are attacked by the Duke of Berwick, and Jim accidentally kills him. Then bad guys chasing Grace and Louis fire upon, and attempt to blow up, the Admiral Benbow. Accused of murder by Sir Thomas Maltby, Jim takes Grace and Louis to his uncle Ambrose for shelter. Soon Jim, Captain Reid, and the Hispaniola are off again for the island to find Tait. Is terrible Tait Louis’s father? Is Louis a love child? How old is Grace—too old for Jim? We are kept in the dark until tale’s end.
Full canvas as the blood flies.Pub Date: May 13, 2002
ISBN: 0-670-03089-9
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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