The story moves forward, but the journey is uninspired.
Samantha Collins is shocked when her grandfather leaves her his auto turbocharger empire; even worse, he expects her to get Collins Industries back on track with Dillon Montgomery, the man she’s secretly loved since she was 13.
Abe Collins was always a stubborn man, but on his deathbed, he can see a few things clearly: That he’s made some serious mistakes playing it safe; that his company is in trouble because of it; and that there’s no way he can trust his elder son, Evan, to put it right. That leaves Samantha, orphaned daughter of his younger son William, who died in a plane crash with his wife when Sam was a teen. Now she’s a bright young woman, and Abe knows she can turn the company around with help from Dillon Montgomery, a true automobile visionary and son of Abe’s secretary, Marlene. So Abe changes his will the day before he dies, leaving the company to Samantha and Dillon, expecting them to put their heads together and save Collins Industries. Of course, this move does not sit well with Evan and his family, and in fact, it’s uncomfortable for Sam and Dillon, too, since they shared an awkward encounter years ago, soon after Sam lost her parents. When the will is read, everyone is stunned, but Samantha does as he asks to honor him, and Dillon can’t find it in him to abandon Sam. As the two work together to adjust the technologies that will put Collins back on the map, they find that there are other reasons for the company’s decline, and they’ll have to dig deeper to get answers. Using an outside CPA and Dillon’s friend Roman to audit the books sheds light on some financial mysteries while also bringing a new chance at love for Dillon’s mom and possibly creating danger for them all, forcing Sam and Dillon to face their attraction head-on. Conceptually, this plot sounds interesting, and there are some compelling details to the story. However, poor pacing and otherwise lackluster storytelling hinder what could be an engaging book.
The story moves forward, but the journey is uninspired.Pub Date: June 18, 2013
ISBN: 978-0-312-68163-0
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: May 4, 2013
Kirkus Reviews Issue: May 15, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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