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The Veteran

From the The Castor Family Trilogy series , Vol. 1

An ornate, gruesome, and rigorously crafted Civil War novel.

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Slaughter tells the story of a Civil War veteran’s attempts to silence his ghosts while working in the lumber camps of Michigan in this debut novel.

Will Castor serves in Battery D, 1st Regiment, Michigan Light Artillery, sending shells into the ranks of Confederate infantry whenever he’s ordered to do so. When his unit’s position is overrun at the Battle of Chickamauga, Will witnesses and commits ghastly horrors to survive the day. Separated from his army and incapacitated with a broken leg, he hooks up with a Confederate deserter who takes him home to Tennessee and shelters him. While there, Will develops strong feelings for the Rebel’s sister, Mollie. Back in Michigan after the war, he finds work at a lumber company in East Saginaw and attempts to lose himself in the hard life and colorful atmosphere of the camp. As a land looker (someone who evaluates standing timber), Will has the opportunity to traverse the Edenic forest, free of associations and memory. Even so, he struggles with the ghosts of his past, retreating ever deeper into the bottle and into the woods. Haunted by the traumas of the war, the wilds present Will with an unexpected opportunity for redemption—though it may prove to be an even greater battle than the one at Chickamauga. Slaughter is a fastidious writer, summoning the worlds of Civil War artillery and the 19th-century lumber industry in all their gritty details. A frame story about a Castor descendant searching for Will’s grave feels unnecessary and forced, but the scenes of war are replete with all the fire and death the reader expects from a Civil War novel: “Here and there the haze was ripped by long angry streaks of red from the mouths of the guns that set huge swirling eddies adrift in the dense smoke.” Perhaps the most impressive aspect of the story is its postwar period and its depiction of Will’s PTSD. The reader feels great empathy for this broken veteran, stumbling about in an era when the language for such aftereffects had not yet been established.

An ornate, gruesome, and rigorously crafted Civil War novel.

Pub Date: June 18, 2016

ISBN: 978-1-9439-9509-7

Page Count: 326

Publisher: Mission Point Press

Review Posted Online: June 16, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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