Treasure hunters face plenty of hurdles in this entertaining, suspenseful tale.

THE TICKET

In this thriller, a Virginia lawyer’s desperate search for a missing lottery ticket worth millions puts his estranged wife and others in danger.

Attorney Channing Booker has just won the lottery, which is a massive $241 million before taxes. But he’s not ready to celebrate just yet. He knows a divorce from his wife, Susan, is imminent, and he doesn’t want to split the fortune. He’ll report the win later with his lawyer friend’s assistance, stashing his ticket in one of Susan’s rare Charles Dickens books. But Channing returns home the next day to find Susan gone, along with some furniture and every Dickens novel. Susan has good reason to leave: Channing, a gambler and habitual drug user, has been physically abusing her. That she’s completely unaware of the ticket doesn’t stop Channing’s hunt for the books. Keeping mum about the valuable bookmark, he enlists the help of loathsome pawn shop owner Billy Scaggs and contends with a nosy attorney at his firm, who assumes Channing is up to something shady. Meanwhile, a sudden car accident threatens to derail Susan’s escape plans. And as Channing’s 180-day period for turning in his ticket gradually diminishes, his despair may escalate into violence. Shackelford (Judges Say the Darndest Things, 2004) provides his story with a dizzying tempo, as he piles on various obstacles for both Channing and Susan. There are perspectives from multiple characters, but they primarily shift between the estranged couple and Lee Barnett, a retired detective who somehow secures evidence of the lottery ticket’s existence. Characters throughout are notable, as even seemingly minor players have solid backstories. But the most indelible are Billy, who’s frighteningly good at tracking down information, and Lee, a flawed potential hero whose pursuit of the ticket involves theft and breaking and entering. The author’s breezy prose is free of obscenities and graphic specifics of brutality, including during the intense final act. Although the inevitable encounter involving the main characters results in a well-earned climax, a romance between two of the players is short and somewhat contrived.

Treasure hunters face plenty of hurdles in this entertaining, suspenseful tale.

Pub Date: Oct. 20, 2018

ISBN: 978-1-64437-009-4

Page Count: 252

Publisher: Black Opal Books

Review Posted Online: May 29, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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