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BLISS

Over-the-top melodrama, but not without its own preposterous charm.

Living large . . . but living a lie.

Francesca Valentine, world-renowned violinist, sees a tabloid article that reveals her former name and a photo of her formerly very fat self, and wants to die of shame. Her two perfect children, Jessica and Jon, never knew that she was just “a fat black girl from Marietta, Georgia,” born Claudia Jenkins, twin sister of the eternally hungry and flatulent Bone. Her fondness for her mother Willamina’s cornbread, fried chicken, and other soul food gave her a butt big enough to make a piano stool disappear, according to her foul-mouthed daddy, known as the Deacon. He was always trying to distract the miserable but musically gifted young girl when she practiced anyhow. Well, Hattie Mae, a mysterious relative, took matters into her own capable hands and gave Claudia something she doesn’t have to sit on: a violin. Soon, her incredible talent got her accepted into the Atlanta Youth Symphony Orchestra. Again, Hattie Mae stepped in and swept Claudia away to Europe, where she was tutored by an Italian genius (with a rare talent for oral sex). Many arpeggios and orgasms later, she had a new name—Francesca Valentine—and a new life. Now, she has graced the covers of magazines and dined with princes and diplomats, even performed for a US president and one monarch (neither named) for good measure. But something’s missing . . . . Then not Claudia’s but Hattie Mae’s story unfolds in flashback: serving time for murder, she was pardoned by the lecherous governor and released, only to become his personal in-house sex slave. Even though he seems to prefer an inventive and rather repellent form of squirming to actual intercourse, she becomes pregnant. Hoping to give her illegitimate child every advantage in life becomes her obsession—and she finds a young pregnant girl to stand in for her as Claudia’s mother (this would be Willamina, mother of Bone).

Over-the-top melodrama, but not without its own preposterous charm.

Pub Date: Sept. 17, 2002

ISBN: 0-375-76103-9

Page Count: 256

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2002

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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