Over-the-top melodrama, but not without its own preposterous charm.

BLISS

Living large . . . but living a lie.

Francesca Valentine, world-renowned violinist, sees a tabloid article that reveals her former name and a photo of her formerly very fat self, and wants to die of shame. Her two perfect children, Jessica and Jon, never knew that she was just “a fat black girl from Marietta, Georgia,” born Claudia Jenkins, twin sister of the eternally hungry and flatulent Bone. Her fondness for her mother Willamina’s cornbread, fried chicken, and other soul food gave her a butt big enough to make a piano stool disappear, according to her foul-mouthed daddy, known as the Deacon. He was always trying to distract the miserable but musically gifted young girl when she practiced anyhow. Well, Hattie Mae, a mysterious relative, took matters into her own capable hands and gave Claudia something she doesn’t have to sit on: a violin. Soon, her incredible talent got her accepted into the Atlanta Youth Symphony Orchestra. Again, Hattie Mae stepped in and swept Claudia away to Europe, where she was tutored by an Italian genius (with a rare talent for oral sex). Many arpeggios and orgasms later, she had a new name—Francesca Valentine—and a new life. Now, she has graced the covers of magazines and dined with princes and diplomats, even performed for a US president and one monarch (neither named) for good measure. But something’s missing . . . . Then not Claudia’s but Hattie Mae’s story unfolds in flashback: serving time for murder, she was pardoned by the lecherous governor and released, only to become his personal in-house sex slave. Even though he seems to prefer an inventive and rather repellent form of squirming to actual intercourse, she becomes pregnant. Hoping to give her illegitimate child every advantage in life becomes her obsession—and she finds a young pregnant girl to stand in for her as Claudia’s mother (this would be Willamina, mother of Bone).

Over-the-top melodrama, but not without its own preposterous charm.

Pub Date: Sept. 17, 2002

ISBN: 0-375-76103-9

Page Count: 256

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2002

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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