A droll piece of romantic whimsy, with an unexpected resonance.

MARGARETTOWN

When you love Margaret Towne, you love all the Margaret Townes.

At first, it seems this is going to be another tale of a young intellectual’s obsessive romance with a slightly younger and much crazier, if fascinating, woman—Sterile Cuckoo for a new generation—but, happily, it becomes something even stranger. “N,” a teaching assistant in philosophy at a nameless university, falls for Margaret Towne when he comes to her dorm room to find out why she has yet to attend a class. She says she feels tired, “like I haven’t slept in years and years,” and then says that N., too, looks tired—would he like to sleep there? N. wakes the next day thoroughly besotted with the mercurial Margaret, who seems to drift through life motivated by shadowy inner urges and with a whole closet full of secrets that N. spends the rest of the time trying to parse out. This fractured love story, it soon turns out, is being written as a letter by a sick and dying N. to his young daughter, so she can learn about her parents. The central question—who is it that N. actually loves?—is raised when, not long after their relationship has begun, Margaret takes N. to meet her family in, yes, Margarettown. Just how far the story departs from reality isn’t clear, though once N. meets the family, we know that something is different. There’s happy young May, surly teenager Mia, bitter and middle-aged Marge, and the self-explanatory Old Margaret, all seeming to resemble a certain love of N.’s, though at different periods in her life. Newcomer Zevin, who will publish a YA novel in the fall, takes this scenario and runs with it, though gently, never working overly hard to push her characters into emotional extremis but allowing N. and Margaret to muddle pleasantly through their baffling life, chasing after the idea of what it means to be in love with one person (do you love all of them? or just one?).

A droll piece of romantic whimsy, with an unexpected resonance.

Pub Date: May 25, 2005

ISBN: 1-4013-5242-1

Page Count: 304

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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