A droll piece of romantic whimsy, with an unexpected resonance.

MARGARETTOWN

When you love Margaret Towne, you love all the Margaret Townes.

At first, it seems this is going to be another tale of a young intellectual’s obsessive romance with a slightly younger and much crazier, if fascinating, woman—Sterile Cuckoo for a new generation—but, happily, it becomes something even stranger. “N,” a teaching assistant in philosophy at a nameless university, falls for Margaret Towne when he comes to her dorm room to find out why she has yet to attend a class. She says she feels tired, “like I haven’t slept in years and years,” and then says that N., too, looks tired—would he like to sleep there? N. wakes the next day thoroughly besotted with the mercurial Margaret, who seems to drift through life motivated by shadowy inner urges and with a whole closet full of secrets that N. spends the rest of the time trying to parse out. This fractured love story, it soon turns out, is being written as a letter by a sick and dying N. to his young daughter, so she can learn about her parents. The central question—who is it that N. actually loves?—is raised when, not long after their relationship has begun, Margaret takes N. to meet her family in, yes, Margarettown. Just how far the story departs from reality isn’t clear, though once N. meets the family, we know that something is different. There’s happy young May, surly teenager Mia, bitter and middle-aged Marge, and the self-explanatory Old Margaret, all seeming to resemble a certain love of N.’s, though at different periods in her life. Newcomer Zevin, who will publish a YA novel in the fall, takes this scenario and runs with it, though gently, never working overly hard to push her characters into emotional extremis but allowing N. and Margaret to muddle pleasantly through their baffling life, chasing after the idea of what it means to be in love with one person (do you love all of them? or just one?).

A droll piece of romantic whimsy, with an unexpected resonance.

Pub Date: May 25, 2005

ISBN: 1-4013-5242-1

Page Count: 304

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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