Duty and desire clash in the melancholy reminiscences of a former Ellis Island immigration officer.
A man looks back on his long tenure at America’s former entry point.
Already the winner of the European Union Prize for Literature after its publication in France, Josse’s slim novel contains the somber reflections, in diary form, of one man’s 45 years of service as a gatekeeper at what once was the door into the United States for millions of immigrants. John Mitchell, who began working for the Federal Immigration Service at Ellis Island as an immigration inspector and eventually rises to the position of commissioner, finds himself the only remaining employee at the deserted complex, but the ghosts of its many temporary inhabitants and his former colleagues remain intensely real. Nine days before its closure on Nov. 12, 1954, he sits down to record his memories—mostly painful and deeply regretful—of his long tenure. In spare, but at times poetic, prose, Mitchell describes his brief, almost impossibly happy marriage to his late wife, Liz, a nurse who also worked on the island. Mitchell is a man of orderly habits and obvious rectitude, but he’s haunted as he recalls the stories of several immigrants, all of them cases in which he’s guilty of serious, but totally human, lapses in judgment. The most troubling involves Nella, a beautiful young woman from Sardinia, who arrives with her younger brother, Paolo. After Paolo is marked for exclusion because of a mental deficiency, Mitchell allows his emotions to overcome his professional obligations in his relationship with Nella. When he permits, against his better judgment, another Italian immigrant with an anarchist past into the country, Mitchell overcompensates during the Red Scare of the 1920s by excluding a couple from Hungary with vaguely communist leanings. In the tale of this fictional bureaucrat, Josse powerfully evokes the spirit of the “huddled masses” who landed on America’s shores while creating a memorable portrait of a man torn between his commitment to his difficult job and the longings of his heart.
Duty and desire clash in the melancholy reminiscences of a former Ellis Island immigration officer.Pub Date: Nov. 24, 2020
ISBN: 978-1-64286-071-9
Page Count: 208
Publisher: World Editions
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.
A captivating allegory about evil, lies, and forgiveness.Pub Date: Nov. 14, 2023
ISBN: 9780062406651
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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