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BOON JUSTER

OR THE REASON FOR EVERYTHING

An urbane think-piece of a novel on alleged moon-landing—and baseball and business and marriage—lies, not to be mistaken for...

Awards & Accolades

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Hallberg plants seeds of doubt about the Apollo moon landings in this social satire about a fallen adman’s learning an astronaut hero, his deceased baseball teammate from high school, might have held a history-changing secret.

Hallberg’s hefty narrative covers four minutely detailed days in the life of Tom “Trif” Hammock, a down-on-his-luck New Yorker now in a disintegrating marriage to abrasive TV journalist Kate Miller. Hammock is flailing in his new career in cutthroat Manhattan real estate. His crucial assignment: Broker a hot property, the apartment of Lt. Col. Elijah “Boon” Juster, a recently deceased athlete and hedge fund spokesman—and also one of the last Apollo astronauts, famed for hitting a baseball on the lunar surface. Juster attended school with Hammock and played alongside him in a legendary 1971 student baseball game, described in lengthy flashbacks, with participants who, 40 years later, recur in the present-day narrative. As Tom prepares Boon’s puzzling estate, he finds a secret stash of conspiracy material. Tom’s flirtatious co-worker Cerise keeps insinuating that the NASA moon landings were, in fact, staged hoaxes, and Boon was apparently about to reveal this before his fatal heart attack. Meanwhile, Kate won’t let up on Tom—not so much to give him hope about their relationship but more so to enhance her scandalous news report on Boon, who she suspects was party to high-level Wall Street chicanery. A typical genre novelist might be tempted to turn the search for Boon’s missing hard drive into Dan Brown–esque chases and gunfights. But not Hallberg, who pitches a comedy of manners, with a small cast of schemers in just a few locations—readers might imagine this as a stage play or a modest indie film—ruminating on love, loss, prestige, greed, baseball (including the game’s secret origins) and the struck-out American dream. Floating in a low-gravity, mildly tragicomic narrative of abandoned childhood innocence and nostalgia, the message is that in a Great Recession USA of middle-class downsizings, lapsed idols, lying presidents and cheating banks, the moon landing remains one thing Americans can point to with pride—so why not suspect it of being just another instance of government-military–corporate-media fakery? Though the plot includes scattered citations and websites for moon-landing skeptics, conspiracy obsessives looking for a direct j’accuse may be frustrated by the book’s mordant, Stendahl-like literary approach.

An urbane think-piece of a novel on alleged moon-landing—and baseball and business and marriage—lies, not to be mistaken for a sci-fi thriller.

Pub Date: Feb. 24, 2014

ISBN: 978-0-9913770-3-9

Page Count: 488

Publisher: TRFE, LLC

Review Posted Online: Jan. 17, 2014

Kirkus Reviews Issue: March 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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