An unconvincing second outing (after Raven Stole the Moon, 1998).
Here’s what happens when an epileptic rock musician tries his hand at single parenting.
Evan Wallace is the son of a wealthy Seattle heart surgeon. When he was 12, he chivalrously substituted for his kid brother in a game of chicken and was hit by a car; his injuries resulted in epilepsy. At 17, his girlfriend, Tracy, became pregnant, had their baby, but then left town with her family, freezing Evan out. He went on to become a guitarist, with one big hit. Now, as the story opens, Evan is 31, Tracy is dead from a car accident, and he’s attending her funeral in Walla Walla, an uninvited guest who sees his son, Dean, for the first time and introduces himself as his father. Then, wham! Tracy’s abusive father assaults his wife—who knows why—and charges toward Dean. Evan drives his son to safety in Seattle, and Dean reacts like any young teenager with a dead mother and a father who’s belatedly recognized his existence: He’s curious, angry, bitter and as changeable as a spring day. Evan is no role model. Though prone to seizures, he won’t level with Dean about his condition and continues to drive (against medical advice). Luckily, there’s an adult around, the legendary sound engineer Mica Morrison. She’s part black, part Japanese, smart, gorgeous and available, way too good for the thoroughly confused Evan, though inexplicably she’s all over him. She sparks up Dean, too, while offering Evan sage advice on handling his son. Evan, revealingly, thinks of Mica and Dean as his “two new toys,” and he steadily loses reader sympathy as he refuses Mica’s help and that of his own parents. He has a seizure while driving, then checks himself out of the hospital before an operation for a shattered collarbone. His last-minute epiphany, that he has an emotional age of 14, is something the reader had noticed long before.
An unconvincing second outing (after Raven Stole the Moon, 1998).Pub Date: April 1, 2005
ISBN: 1-56947-390-0
Page Count: 368
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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