Pointedly inspirational.

READ REVIEW

THE ART OF RACING IN THE RAIN

Stein (How Evan Broke His Head and Other Secrets, 2005, etc.) uses a dog as narrator to clever effect in this tear-jerker about an aspiring race-car driver who suffers more woes than Job but never mistreats his dog.

Lab mix Enzo believes he is different from other dogs, that he has a human soul in a dog body. Enzo is frustrated that he can use only “gestures” to communicate with his beloved owner Denny. Denny works in a Seattle auto-repair shop to earn money to race. Enzo watches racing channels on TV, soaking up facts and lore. Dog and man are happy in their bachelor Eden. Enter Eve. She and Enzo are wary at first. Then she goes into labor while Denny’s away racing and she keeps Enzo beside her. Enzo adores the baby, Zoë, but he soon smells that something is off with Eve. By the time Zoë is a toddler, Eve has increasingly bad headaches but refuses to see a doctor until it’s too late. Now come the travails. During Eve’s painful, lingering death, her parents, who have never approved of Denny, loom increasingly large. When Eve dies, they sue for permanent custody of Zoë. Their case is weak until Denny is charged with rape: After a reunion of Eve’s family shortly before her death, Denny gave a ride home to Eve’s 15-year-old cousin, who attempted to seduce him; he rebuffed her but Enzo was the only witness. Eve’s evil parents are behind the trumped-up charges. Noble Denny keeps fighting for Zoë, living by his mantra, “That which you manifest is before you.” When he almost buckles, Enzo provides some rather unique assistance.

Pointedly inspirational.

Pub Date: May 5, 2008

ISBN: 978-0-06-153793-6

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2008

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A sweeping romantic tale of thwarted love.

THE STATIONERY SHOP

Sixty years after her first love failed to meet her in a market square, Roya Khanom Archer finally has the chance to see him. But will he break her heart again?

Back in 1953, she was a 17-year-old schoolgirl, raised in a progressive home in Tehran, where her father encouraged Roya and her sister, Zari, to take advantage of the recent reforms that allowed women to go to university. While he hoped she might become a chemist, Roya loved escaping into novels, which sent her to Mr. Fakhri’s stationery and book store every Tuesday afternoon. There she first sees Bahman Aslan, a breathless young man already well-known as a political activist. Kamali (Together Tea, 2013) sets Roya and Bahman’s love against the tumultuous days of Mohammad Mossadegh’s rise and fall as prime minister of Iran, infusing their affair with political passion and an increasingly frantic sense of the shortness of time. Tuesday after Tuesday, the couple falls more deeply in love, and Bahman soon proposes marriage to Roya. While Roya’s family welcomes Bahman—although Zari warns Roya that his heart cannot be trusted—Bahman’s emotionally volatile mother refuses to accept the engagement, because she has already chosen Shahla, the daughter of a man closely allied with the shah, for her son. Roya determines to weather her future mother-in-law’s storms, but when Bahman and his family disappear, she can only turn to Mr. Fakhri for help. Although he cannot tell Roya where Bahman has gone, Mr. Fakhri offers to exchange secret letters between the lovers. The plan works, and the two even plan to elope, but Bahman does not show up in Sepah Square. Sixty years later, Bahman’s confession will finally expose the secrets that cast shadows over the lovers so long ago.

A sweeping romantic tale of thwarted love.

Pub Date: June 18, 2019

ISBN: 978-1-9821-0748-2

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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