Doubling the stakes of John Grisham’s The Client, Krist plunges a pair of young heroes into peril that starts with a bang and ends with a bang-bang-bang. Two bright, college-bound Washington, D.C., teenage friends, Jason Rourke (white) and Dennis Monroe (black), leave a dull birthday party to score some marijuana. They end up in a grimy Northeast neighborhood alley where their drug deal turns sour and the supposed dealer is injured. The next day they find out he’s an undercover cop and he’s dead. Before they know it, the boys have become targets of a vast political conspiracy. After they—re set up by a drug find in their high school lockers, each vamooses in a different direction. Krist (Bad Chemistry, 1997, etc.) works the parallel plot lines for nonstop action. Jason is involved in a grisly murder scene in the Rock Creek Park horse stables. Dennis is kidnapped and held —handcuffed and hungry— in a damp basement. But the boys have enlisted a respected white journalism teacher, Renee Daniels, who in turn seeks help from an ex-lover, black FBI agent Frank Laroux. Renee steals files and uncovers the conspiracy the boys have stumbled on. Soon —big men in trouble— are disappearing, replaced by the dead bodies of —little men on the margins.— Krist cuts back and forth between the dramatic, racially inflected perils of the boys and the emotional reactions of their distressed parents. Jason hides out with Renee’s mother on the Eastern Shore, setting the scene for a heart stopping chase scene in a moonlit swamp. Dennis’s rescue involves a bumpy dune-buggy race across a beach. And even though his nonstop activity would seem to forbid a break for anything deeper, Krist manages some observations on strained parent/child relationships, difficult friendships, political subterfuge, guilt, loyalty, and sins of the past. Most readers will remember this wild ride, though, as a page-turner with new dangers and set-pieces every two minutes.
Pub Date: Jan. 1, 2000
ISBN: 0-375-50080-4
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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