Next book

MARA’S STORIES

GLIMMERS IN THE DARKNESS

The author of Straw Into Gold (2000) spins 23 brief tales drawn from collections of Hasidic legends into a deeply felt Holocaust memorial, recasting them as versions told by a concentration camp resident and set not in a timeless past, but the storyteller’s present: “ . . . as if they had just happened. As if they are happening even now.” So instead of generic oppressors, rabbis and simple folk face Nazis, even Hitler himself, or escape miraculously. Eisik seeks treasure under a bridge but finds it beneath his own iron stove after a German guard scornfully tells him of a dream; the Baal Shem Tov comes to stand witness over a mass grave; and two violinists play so beautifully—without instruments—that even the prisoners around them hear music. Schmidt is careful to explain what he has added to these episodes, names characters in honor of historical or Biblical figures, and conscientiously cites his sources. He leaves specific atrocities between the lines, but effectively conveys a sense of the time’s “soul terror,” adding a leavening of humor and plenty of searching, not-easily-answered questions for young readers to ponder. Gold, indeed. (Folktales. 11+)

Pub Date: Oct. 1, 2001

ISBN: 0-8050-6794-9

Page Count: 128

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

Next book

THE BOOK THIEF

Awards & Accolades

Likes

  • Readers Vote
  • 23


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)

Pub Date: March 14, 2006

ISBN: 0-375-83100-2

Page Count: 512

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

Next book

THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

Close Quickview