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LAST NIGHT AT THE VIPER ROOM

RIVER PHOENIX AND THE HOLLYWOOD HE LEFT BEHIND

For Phoenix fans who want to relive that night and mourn what might have been.

Twenty years later, the overdose death of a promising young actor doesn’t seem to be quite enough to fill a book, even one as well-written as this one.

River Phoenix (1970–1993) was only 23 when he died, and though he’d shown a precocious talent as a child actor and singer, he’d only made two movies of note (Stand by Me and My Private Idaho) before an addict’s carelessness let him swallow something he shouldn’t have. A veteran pop-culture writer for magazines, Edwards (’Scuse Me While I Kiss This Guy and Other Misheard Lyrics, 1995) has the makings of a solid article in this commemoration of the actor’s death, life and career, but the context he provides feels like padding: the career progressions of other actors of the same generation, production details of films best forgotten, speculation on what he might have achieved if he hadn’t died, and the history of the Viper Room and its owner, Johnny Depp, whose connection with Phoenix otherwise seems tenuous at best. The book is more researched than reported, relying on other books and magazines as well as a few interviews with those who were mainly on the periphery of the actor’s life. The early material about his parents, hippies who succumbed to a sexually promiscuous religious sect, makes for fascinating reading, but his descent into drugs is familiar and sad, a decline further undermined by denial. In the tick-tock narrative of his final hours, his brother Joaquin responded, after others were alarmed by the sidewalk seizures and suggested he call 911, “He’s fine, he’s fine.” Depp apparently didn’t recognize the figure causing the commotion outside his club. But the strict vegan with the warm heart, strong work ethic and increasingly debilitating drug excess needed help long before that.

For Phoenix fans who want to relive that night and mourn what might have been.

Pub Date: Oct. 22, 2013

ISBN: 978-0-06-227315-4

Page Count: 288

Publisher: It Books/HarperCollins

Review Posted Online: Oct. 19, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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