“In a fair world, I’d probably have three or four Oscars,” Jackson has said. This entertaining book proves the point.

BAD MOTHERFUCKER

THE LIFE AND MOVIES OF SAMUEL L. JACKSON, THE COOLEST MAN IN HOLLYWOOD

A revealing look at the unlikely career trajectory of Samuel L. Jackson, from the author of The Tao of Bill Murray.

Motherfucker. “That’s my perfect noun/pronoun/expletive/everything,” says Jackson, that ascended connoisseur of naughty words. By the account of pop-culture biographer Edwards, Jackson is also the epitome of cool, as exemplified by a key scene in Pulp Fiction, with the robbery at the diner: “Stay calm in an emergency. Apply your overarching philosophy to the smaller moments of your existence. Walk in the footsteps of your cool predecessors.” The long excursus on cool is the least interesting single passage of the book, since no one needs to be reminded of Jackson’s habitation of the term. What’s good about it is the author’s exploration of Jackson’s films, decade after decade—and, he reminds, Jackson has appeared in nearly a gross of feature films, “more than Bill Murray and Tom Hanks put together.” Ranking these films along axes such as how much of the pure Sam Jackson experience they yield, Edwards tracks the actor’s rise from “King of the Cameos” to full-tilt stardom, propelled along by the likes of Quentin Tarantino and Spike Lee. With all those films, it’s easy to forget ones in which Jackson played only tiny parts, such as Steve Buscemi’s 1996 outing Trees Lounge, but it’s a pleasure to see him muscle and sweet-talk his way into films that had no part for him at first. One good example is the Star Wars franchise, in which, to his pleasure, he was made a Jedi knight—and given a light saber with the initials B.M.F. engraved. (See the book’s title for the translation.) Edwards also recounts the films that Jackson didn’t make it to and a few interesting bits of associated trivia: He failed to join the cast of Roots because he “wasn’t African enough or not an exotic Negro,” and for more than two years, he was a stand-in for Bill Cosby on his eponymous show, which staggers the imagination.

“In a fair world, I’d probably have three or four Oscars,” Jackson has said. This entertaining book proves the point.

Pub Date: Oct. 19, 2021

ISBN: 978-0-306-92432-3

Page Count: 368

Publisher: Hachette

Review Posted Online: Sept. 15, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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