For Phoenix fans who want to relive that night and mourn what might have been.
Twenty years later, the overdose death of a promising young actor doesn’t seem to be quite enough to fill a book, even one as well-written as this one.
River Phoenix (1970–1993) was only 23 when he died, and though he’d shown a precocious talent as a child actor and singer, he’d only made two movies of note (Stand by Me and My Private Idaho) before an addict’s carelessness let him swallow something he shouldn’t have. A veteran pop-culture writer for magazines, Edwards (’Scuse Me While I Kiss This Guy and Other Misheard Lyrics, 1995) has the makings of a solid article in this commemoration of the actor’s death, life and career, but the context he provides feels like padding: the career progressions of other actors of the same generation, production details of films best forgotten, speculation on what he might have achieved if he hadn’t died, and the history of the Viper Room and its owner, Johnny Depp, whose connection with Phoenix otherwise seems tenuous at best. The book is more researched than reported, relying on other books and magazines as well as a few interviews with those who were mainly on the periphery of the actor’s life. The early material about his parents, hippies who succumbed to a sexually promiscuous religious sect, makes for fascinating reading, but his descent into drugs is familiar and sad, a decline further undermined by denial. In the tick-tock narrative of his final hours, his brother Joaquin responded, after others were alarmed by the sidewalk seizures and suggested he call 911, “He’s fine, he’s fine.” Depp apparently didn’t recognize the figure causing the commotion outside his club. But the strict vegan with the warm heart, strong work ethic and increasingly debilitating drug excess needed help long before that.
For Phoenix fans who want to relive that night and mourn what might have been.Pub Date: Oct. 22, 2013
ISBN: 978-0-06-227315-4
Page Count: 288
Publisher: It Books/HarperCollins
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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