Undoubtedly creepy and unnerving but also an entirely compelling slice of seamy American life.
The disturbing private world of the sleaziest motel manager since Norman Bates.
The latest book by new journalism pioneer Talese (A Writer’s Life, 2006, etc.) is the story of the author's decadeslong correspondence with Colorado businessman Gerald Foos, an unashamed peeping Tom who spent years spying on clients at his roadside motel. From the attic over a room structurally fitted with a fake ceiling vent, Foos watched—and recorded, in a series of journals—the private lives of his guests, writing up (and often masturbating over) graphic accounts of the couplings of horny singles, adulterous professionals, threesomes, lesbians, widows with paid escorts, incestuous siblings, and men in costumes, among many others. He also saw lots of bored married couples watching TV. Foos views himself not just as a voyeur, but as a “pioneering sex researcher,” not unlike Kinsey, Masters, and Johnson—or perhaps Talese himself, whose 1980 Thy Neighbor’s Wife chronicled the sexual revolution from his perspective as both observer and participant. “Someone has to be delegated the responsibility to confront these tangible existences and tell other people about them,” Foos writes in one journal entry. “Herein is the intrinsic essence of the Voyeur.” Foos writes a functional, unfussy prose, which Talese both ably condenses and quotes at generous length. The character that emerges from this tightly woven narrative is oddly ambivalent. At some level, he's a little like Kyle MacLachlan in Blue Velvet, indulging this purely human desire to see what has always been hidden. But spying also fed Foos’ ego and allowed him to exert power over his guests, who became lab rats for both his obsessions and his power trips. Most disturbingly, he recalls how he once interceded in the life of a guest and inadvertently both caused and witnessed her murder. (The case, investigated at some length, remains shrouded in mystery.)
Undoubtedly creepy and unnerving but also an entirely compelling slice of seamy American life.Pub Date: July 12, 2016
ISBN: 978-0-8021-2581-1
Page Count: 240
Publisher: Grove
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
One may quibble with the title: this is a study of Islamic Orientalism solely, of Western representations of the Near East, with little or no direct reference to Persia, India, China, Japan.
Professor Said (Comparative Literature, Columbia) explains the limited focus as both methodological (coherence over exhaustiveness) and personal: he is an Arab Palestinian. But among Eastern civilizations, as he recognizes, Islam is a special case, particularly in relation to Christian Europe: a "fraudulent," competing religion (doggedly miscalled Mohammedanism), a longstanding military threat, and all the more, therefore, as affront. Singularity, however, is no handicap to what is essentially a case study of Western ethno-centrism and its consequences, while the very persistence of the generalizing and dehumanizing attitudes that Said condemns, unparalleled in regard to either Africa or the Far East, argues the urgency of the enterprise. Drawing, most prominently, upon Foucault's history of pernicious ideas, Said traces the development of Orientalism from Silvestre de Sacy's fragmentation of Oriental culture into "a canon of textual objects" and Ernest Renan's incorporation of the fragments into the new comparative philology: "the Orient's contemporary relevance [was] to be simply as material for European investigation." Ascribed traits—passivity, eroticism, etc.—became fixed; travelers, ostensibly sympathetic, added exotic tales; and the presumed inferiority of Islam served as the pretext for its political domination, its supposed backwardness the excuse for economic intervention (with even Karl Marx writing of England's "regenerating" mission in India). Not until after World War II does Islam enter the American consciousness, and then—with Arab specialists in attendance—as "the disrupter of Israel's and the West's existence." Said's recent citations are devastating, and add force to his final challenge: how to avoid all categorization of one people by another?
The book is redundant and not always reasonable, but bound to cut a wide swath and leave its mark.
Pub Date: Nov. 30, 1978
ISBN: 039474067X
Page Count: 417
Publisher: Pantheon
Review Posted Online: May 22, 2012
Kirkus Reviews Issue: Nov. 1, 1978
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A vital book for any library or classroom—and for foot soldiers in the fight for racial justice.
A compact, exceptionally diverse introduction to the history of black women in America, rooted in “everyday heroism.”
As Berry (History/Univ. of Texas; The Price for Their Pound of Flesh: The Value of the Enslaved, From Womb to Grave, in the Building of a Nation, 2017, etc.) and Gross (History/Rutgers Univ., New Brunswick; Hannah Mary Tabbs and the Disembodied Torso: A Tale of Race, Sex and Violence in America, 2016, etc.) persuasively argue, black women have “significantly shaped” our nation—and fought for their rights—throughout every period of American history. Yet their contributions often have been overlooked or underappreciated. In the latest book in the publisher’s ReVisioning American History series, the authors offer a selective but wide-ranging search-and-rescue mission for black female activists, trailblazers, and others who have left a mark. In the first chapter, they introduce Isabel de Olvera, who became one of the first black women to set foot on what is now American soil after joining an expedition from Mexico in the early 17th century. From there, Berry and Gross proceed chronologically, opening each chapter with a vignette about a signal figure such as Shirley Chisholm, the daughter of Caribbean immigrants who became the first black female member of Congress. Along the way, the authors frequently discuss members of traditionally underrepresented groups, among them the lesbian blues singer Gladys Bentley and the conjoined twins Millie and Christine McKoy, whose exploitation by mid-19th-century showmen suggests the perils faced by black women with disabilities. The result is a narrative that highlights both setbacks and achievements in many spheres—sports, business, education, the arts, military service, and more. While their overall approach is celebratory, Berry and Gross also deal frankly with morally complex topics, such as women who committed infanticide rather than see a child enslaved. Amid their gains, black women face enduring challenges that include police brutality and other forms of “misogynoir,” or “gendered, anti-Black violence.” For anyone hoping to topple the remaining barriers, this book is a font of inspiration.
A vital book for any library or classroom—and for foot soldiers in the fight for racial justice.Pub Date: Feb. 4, 2020
ISBN: 978-0-8070-3355-5
Page Count: 288
Publisher: Beacon Press
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
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