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SELF STORAGE

A bit too tidily resolved to be wholly convincing, but a pleasant read nonetheless.

An agreeable, if somewhat routine, novel of a young woman attempting to bring order and meaning to her life, from the author of The Book of Dead Birds (2003).

Flan (short for Flannery) has an unusual occupation—she attends auctions at self-storage units, buying the contents of the unpaid lock-ups. She bids only on the small stuff, units filled with boxes of knick-knacks and old clothes, ten-dollar investments she sells at her Saturday yard sales. It’s not much, but it supplements the lean lifestyle of her family of four—husband Shae, a doctoral student, who bores Flan with his endless quoting of Baudrillard, and their two young children, Noodle and Nori. Living in student housing, Flan enjoys the excitement of an international life by proxy—her friends and neighbors are research fellows and doctoral candidates from all over the world, which includes the Afghan couple across the way, a man and his mysterious burqa-wearing wife Sodaba. Set in the months after 9/11, their presence is a constant source of curiosity, and for some, anger borne of racism. Flan watches Sodaba at the community pool swimming in her burqa, sees her skittering into her house to avoid the neighbors, and wonders why she wants to wear that big black thing in America. Though Flan is characterized by the author as bright (she was set to go to Reed College before she met Shae), part of the novel’s misstep is that she seems a bit of a dim bulb. She spends much of her time searching frantically for her kids, until tragedy finally hits—while Flan and Shae are indisposed, two-year-old Nori leaves the house and is hit by none other than Sodaba, driving without a license. As Nori lies in a hospital bed, Flan decides to save Sodaba from deportation (and maybe death) while fending off Child Protective Services for being an unfit parent. All the while, Flan draws strength from reading her mother’s old copy of Leaves of Grass, which saves her in more ways than one.

A bit too tidily resolved to be wholly convincing, but a pleasant read nonetheless.

Pub Date: Jan. 30, 2007

ISBN: 0-345-49260-9

Page Count: 288

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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