A uniquely graceful, gorgeously written and composed collage of grief, misunderstanding, love, and an attempt at familial...

THE ART OF MISDIAGNOSIS

SURVIVING MY MOTHER'S SUICIDE

A novelist, poet, and writing teacher mourns the tragic loss of her tormented mother.

In this raw memoir, Brandeis (The Selfless Bliss of the Body, 2017, etc.) begins with her 70-year-old mother Arlene’s suicide in 2009, which coincided with the birth of her son Asher. Desperate for answers, she and her sister fruitlessly scoured their mother’s bedroom, which, much like the woman herself, appeared “lovely and elegant on the surface, total chaos underneath.” The author’s reality soon became even more complex: she wrestled with the grief of her mother’s sudden death, processed her complicated history of paranoia, suspicion, and delusions, and nurtured her newborn. This frustration bleeds into the text as Brandeis recounts episodes where her mother’s inexplicable accusations wreaked havoc on her pregnancy and her marriage. The author then reveals her mother’s history of psychosis, which seemed to stem from the author’s pregnancies, with which Arlene became obsessed. The book’s title comes from a documentary her mother, an artist, was producing about the rare inherited illnesses she believed plagued the family. Her daughter was skeptical, however, believing the film to be a “noble, misguided project.” Whether they were psychosomatically induced or not, Arlene attested that the illnesses had been repeatedly dismissed or misdiagnosed by the medical community; even the author herself admits to suffering, as a teenager, from a combination of malingering and factitious disorder. Urged by her therapist, Brandeis penned letters to her deceased mother to hopefully exorcise the demons haunting her and to transfer unexpressed feelings about their complex relationship into words. These resonant missives combine with exchanged emails, transcripts from her mother’s documentary, and evocative, retrospective narration detailing the author’s own medical maladies, youthful memories, and her love-hate relationship with a woman she seemed to empathize with in hindsight. Brandeis’ emotional struggle to truly understand her mother is searing and poignant. “I am aching to understand you now,” she writes, “to figure out your story, the path that led to your unraveling.”

A uniquely graceful, gorgeously written and composed collage of grief, misunderstanding, love, and an attempt at familial closure through art and prose.

Pub Date: Nov. 14, 2017

ISBN: 978-0-8070-4486-5

Page Count: 264

Publisher: Beacon Press

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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