by Gayle Brandeis ‧ RELEASE DATE: Nov. 14, 2017
A uniquely graceful, gorgeously written and composed collage of grief, misunderstanding, love, and an attempt at familial...
A novelist, poet, and writing teacher mourns the tragic loss of her tormented mother.
In this raw memoir, Brandeis (The Selfless Bliss of the Body, 2017, etc.) begins with her 70-year-old mother Arlene’s suicide in 2009, which coincided with the birth of her son Asher. Desperate for answers, she and her sister fruitlessly scoured their mother’s bedroom, which, much like the woman herself, appeared “lovely and elegant on the surface, total chaos underneath.” The author’s reality soon became even more complex: she wrestled with the grief of her mother’s sudden death, processed her complicated history of paranoia, suspicion, and delusions, and nurtured her newborn. This frustration bleeds into the text as Brandeis recounts episodes where her mother’s inexplicable accusations wreaked havoc on her pregnancy and her marriage. The author then reveals her mother’s history of psychosis, which seemed to stem from the author’s pregnancies, with which Arlene became obsessed. The book’s title comes from a documentary her mother, an artist, was producing about the rare inherited illnesses she believed plagued the family. Her daughter was skeptical, however, believing the film to be a “noble, misguided project.” Whether they were psychosomatically induced or not, Arlene attested that the illnesses had been repeatedly dismissed or misdiagnosed by the medical community; even the author herself admits to suffering, as a teenager, from a combination of malingering and factitious disorder. Urged by her therapist, Brandeis penned letters to her deceased mother to hopefully exorcise the demons haunting her and to transfer unexpressed feelings about their complex relationship into words. These resonant missives combine with exchanged emails, transcripts from her mother’s documentary, and evocative, retrospective narration detailing the author’s own medical maladies, youthful memories, and her love-hate relationship with a woman she seemed to empathize with in hindsight. Brandeis’ emotional struggle to truly understand her mother is searing and poignant. “I am aching to understand you now,” she writes, “to figure out your story, the path that led to your unraveling.”
A uniquely graceful, gorgeously written and composed collage of grief, misunderstanding, love, and an attempt at familial closure through art and prose.Pub Date: Nov. 14, 2017
ISBN: 978-0-8070-4486-5
Page Count: 264
Publisher: Beacon Press
Review Posted Online: Aug. 19, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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