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COUNTING COUP

A second helping from North Carolina writer Gearino (What the Deaf-Mute Heard, 1995), whose style seems to be evolving from southern gothic to southern maudlin. Journalists have been known as tough guys at least since Julius Caesar's first stint as a war correspondent, but somehow Tad Beckman doesn't seem to fit the mold. Sardonic and knowing enough in his down-home, corn-pone style, Tad writes a column three times a week for the Barrington Chronicle, a small-town Georgia daily. Only child Tad's Yankee father was killed in WW II while Tad was still in his mother's womb, and the boy grew up trapped in the narrow space between his grandfather's redneck cruelty and his mother's manic despair. An outsider and a drifter, Tad falls into journalism after college and quickly discovers a talent for it, especially when he goes beyond the simple mechanics of reporting and becomes the advocate of some lost cause or character. ``A few times in my life, I've been able to fix something. . . . As a result, people think I have magical powers: They believe I can change things by writing about them.'' Unfortunately, even Tad himself seems to think so after a fashion, until he's brought up short by the sorts of realities he'd always believed himself well- prepared for. First, a woman who had turned to him for help is brutally murdered after he dismisses her story as small change. Then he becomes embroiled in an elaborate investigation of a shady real-estate developer whose affairs turn out to be lethal. The cloak-and-dagger atmosphere he's drawn into eventually proves Tad's undoing as a journalist. He settles down, in the end, only after he's discovered the truth of the mystery that haunts him: that of his family and himself. Gripping and taut for much of the way, but toward the close Gearino loses his focus and ends up rambling.

Pub Date: July 15, 1997

ISBN: 0-684-83726-9

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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