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THE INVISIBILITY CLOAK

The plot may be slight, but the author packs in wit, social commentary, and an emotional depth that will lift the reader's...

This slim comic novel, the first by acclaimed Chinese author Ge Fei to be translated into English, follows the travails of a likable loser trying to stay afloat—financially and emotionally—in contemporary Beijing.

Cui builds tube amplifiers for a living. In the mid-1990s, during a boom in serious music interest in Beijing, Cui did well enough to buy a two-bedroom apartment and marry his girlfriend, Yufen. Four years later Beijing’s interest in serious music has died out and Cui is struggling financially. Worse, his mother’s warning that Yufen was “a little too easy-come-easy-go” has proven prophetic: recently, around the time of his mother’s death, Yufen “sweetly” asked for a divorce because she’d become involved with a man from her office. Cui let her have the apartment while he kept a valuable set of Autograph speakers. He now lives in his older sister's apartment, but she and her husband, who moved into his mother’s house, want him out ASAP. Ge Fei’s depiction of Beijing life is cynical—from the pompous professor who insists Cui install only the best sound system but knows nothing about music; to Cui’s manipulative sister; to his friend Jiang Songping, a glad-handing factory owner who patronizingly gives Cui Tommy Hilfiger shirts and helps him “fish” for clients among his wealthy acquaintances in order to show off his “highbrow tastes”; to the general graft and corruption apparent in the author’s descriptions of recently built apartment complexes. And it would be easy for a cynic to consider Cui a sucker for helping Yufen’s new husband out of a jam or trusting a mobster’s promise to send his payment after Cui installs his most valuable sound system. But page by page, Cui lives by his own moral compass until readers find themselves rooting for this philosophical Everyman to overcome every setback Ge Fei throws his way.

The plot may be slight, but the author packs in wit, social commentary, and an emotional depth that will lift the reader's spirits like few recent books.

Pub Date: Oct. 11, 2016

ISBN: 978-1-68137-020-0

Page Count: 120

Publisher: New York Review Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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