JUSTICE FOR NONE

Name: JUSTICE FOR NONE
Author: Gene Hackman
ISBN: 0-312-32425-1

by Gene Hackman & Daniel Lenihan ‧ RELEASE DATE: June 1, 2004

Great small-town period detail with standard-issue courtroom scenes, a few too many stock characters, and an appropriately...

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Absorbing but by-the-numbers courtroom melodrama, with all the moral complexities, last-minute revelations, and gavel-pounding histrionics that the genre requires.

The Wake of the Perdido Star (1999), actor Hackman’s debut fiction with his underwater archaeologist writing partner Lenihan, was a high-seas swashbuckler that, if not for Patrick O’Brian, could have been called the kind of novel nobody writes anymore. The team’s second historical tale recalls classic American courtroom thrillers from To Kill a Mockingbird to Intruder in the Dust, but is closer to John Grisham's recent Faulkner-Lite efforts. Though set in 1929 in a nostalgically described Illinois hamlet, the story of Boyd Carter, a hapless trolley car operator on trial for the shooting murder of his wife and her loathsome lover, reads more like an extended metaphor of America’s loss of moral center after the Vietnam War. Boyd is a severely shell-shocked WWI vet whose grim experiences included the mercy killing of a critically wounded officer and the use of a corpse to shield himself from capture during the Battle of Argonne. Like the ’Nam vets who could not pick up the pieces of their prewar lives, Boyd has become a permanent outsider to all but a few who think they know him better than he knows himself. The central question here—how much can we really know our neighbors?—fades away as the authors bring on the usual elements of courtroom melodrama, with mostly stock characters reciting familiar lines. Exceptions are the defiant black prisoner Boyd befriends and the wounded, wonderfully compassionate Major Hennessey, administrator of the town’s Soldiers Home, whom Hackman must play if this is ever filmed.

Great small-town period detail with standard-issue courtroom scenes, a few too many stock characters, and an appropriately bitter twist ending.

Pub Date: June 1, 2004

ISBN: 0-312-32425-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2004

Categories:

HISTORICAL FICTION | SUSPENSE | SUSPENSE | GENERAL FICTION

- BOOK REVIEW
WAKE OF THE PERDIDO STAR
by Gene Hackman with Daniel Lenihan

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WE WERE THE LUCKY ONES

by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

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Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Categories:

RELIGIOUS FICTION | HISTORICAL FICTION

- BOOK TO SCREEN
Hulu’s ‘We Were the Lucky Ones’ Adds To Cast

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.