THE MOONHAWKER

When ever-resilient, stubborn Atticus Gunner teams up with Butch Gorpon to uncover the mystery behind the deaths in an island community, the duo discovers that something far greater is in the works.

Atticus Gunner is offered $310,000 in addition to a 32-foot sailing sloop, the Moonhawk, as compensation for assuming the role of school administrator and police officer on Washington Island. On his way to the island, he encounters a boat full of drunkards, who later try to shoot at the Moonhawk. From his arrival on the island, Atticus has his hands full. In fact, his first full day culminates in a barroom brawl with the Cline boys, an event that foreshadows the no-nonsense attitude that Gunner will enforce throughout the story. The potential sabotage of his boat and his meeting with local psychic, Cynthia, who anoints him the warrior that will fight off the darkness, put an intriguing twist in the plot. Perhaps the book’s most compelling element is the author’s ability to weave character relationships, especially the budding friendship between Atticus and Butch, the school board president. Nevertheless, Atticus’ relationship with his two daughters, Stacie and Inger, is beautifully portrayed, particularly the scenes on the Moonhawk where readers realize that Atticus is an individual of substance—he will not let anyone harm his family or friends. As the deaths of several island boys confirm, those that harm Atticus’ family or friends will face retribution. The novel shines with engaging dialogue, seamless transitions and kinetic plot development, making the story flow smoothly. When seemingly ordinary individuals start dying in extraordinary ways, Gunner puts everything aside and dives into the situation. This attitude, despite placing him in far too many precarious situations, will undoubtedly endear him to readers. With reckless abandon, and his administrative duties in jeopardy, Gunner teams with the FBI and CIA in an attempt to reveal the true identity of the island’s so-called “good guys.” Gunner fails to realize, however, that he may have taken on more than he can handle; with a history of bloodshed, the assassins are coming for Atticus full force. Unfortunately for them, that makes little difference to Atticus. Fox fuses tantalizing action, adventure and memorable characters with nearly three decades of real-life experience to deliver an addictive page turner with blistering intensity.

 

Pub Date: Oct. 20, 2011

ISBN: 978-1462046492

Page Count: 621

Publisher: iUniverse

Review Posted Online: Jan. 16, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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