by George Rabasa ‧ RELEASE DATE: Sept. 1, 1997
Rabasa (the award-winning Glass Houses, stories, not reviewed) offers a colorful tale of the contemporary US-Mexican border with more than a hint of Conrad. Like Conrad's Almayer's Folly, Rabasa's first novel begins (after a framing device) with a vision of a raging river, torrents running out of control. And like Folly, it tells the story of a young man whose intrusion into a small, self-contained world brings down forces of havoc as powerful as those of the river. Simon Tucker is an American teenager who makes a little money by carrying marijuana across the Rio Grande to sell in his high school. Battered by floodtide, however, and by an unknown assailant, he turns up more dead than alive on an island in the middle of the river. Lucio Seguila is the aging master of that island, the half-humorously self-proclaimed Free Republic of Seguilandia. The other people of the ``republic'' are his three daughters, his retarded grandson, and his corrupt, stupid son-in-law. Naturally, Tucker's appearance disrupts life in this little place where the Seguila family survives by some mildly illegal activities and by scavenging. The tragic outcome of it all is diminished not only by being entirely predictable, but by Rabasa's telling the story in a complex series of flashbacks and memories that begins with Simon coming out of prison after seven years for a crime not revealed until the end. Largely, though, the novel succeeds through Rabasa's sure hand with vivid description and setting, and through his deep regard for Lucio, a powerful and likable character in a book otherwise tending to lack psychological depth. Rabasa has an undeniable talent, although mastery of structure doesn't yet seem to be part of it. A not unengaging debut novel. Rabasa bears watching.
Pub Date: Sept. 1, 1997
ISBN: 1-56889-063-2
Page Count: 278
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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