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An impressive if flawed debut with a touch of the otherworldly.

A woman, haunted by terrible dreams, digs into her grandmother’s past, uncovering a tragic love triangle and a stunning crime.

When 33-year-old Abby Walters, who has been haunted by dreams of being buried alive for years, wakes up with the name Claire Ballantine on her lips, she returns home to Makade, Minnesota, to dig into her family’s past. She'd been feeling restless, anyway, and impatient with her screenwriter boyfriend's hesitancy about getting married. It turns out that Claire was Abby’s grandmother's neighbor, and Abby's mother says she disappeared one day in 1948, never to be found. As Abby digs further, she discovers evidence of a shocking crime the year Claire went missing. Meanwhile, Abby’s childhood crush Aidan Mackenzie is back in Makade after a stint as a St. Paul cop. He’s still a cop but was hoping to leave the violence behind. It’s not to be: a serial rapist is on the loose, and he seems to be targeting women who look a lot like Abby. Soon Abby and Aidan reconnect, and the sparks are undeniable, but the past is about to intrude on the future with tragic results. The present-day narrative is expertly interwoven with Claire’s story, which involves the horrific consequences of an affair gone wrong. Abby’s dreams add a layer of creepiness to Aidan’s investigation, and because Aidan offers to help her research the past, she gets closer to the rape investigation than she probably should, but Abby is no wilting flower. Sardar’s characters are well-developed and her prose is dreamlike, at times reading very much like poetry, making the heartbreaking events of 1948 even more poignant. Readers who find the journey more important than the destination might get more out of this character-driven story, especially since the final revelations, while undeniably horrible, aren’t all that surprising. Nonetheless, this deftly executed study of the dark that lies in the human heart is artfully drawn.

An impressive if flawed debut with a touch of the otherworldly.

Pub Date: May 16, 2017

ISBN: 978-0-399-57500-6

Page Count: 384

Publisher: Putnam

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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