by Gil Mulley ‧ RELEASE DATE: June 29, 2011
An observant, inclusive and empathetic worldview that’s practicable, too, although Mulley admits its fulfillment would be a...
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Mulley conveys his species-wide vision of life living on a more stable and peaceful planet.
In a voice that feels heavy with experience yet as plain-speaking as a jury summons, Mulley suggests that humans wise up: even if we are unique individuals, we are all the same physical matter and we are gobbling Earth’s resources faster than they can be replaced. Neither democracy nor capitalism is a self-regulating system, he says; history supports his assertion via popular economic and political critiques by a number of detractors, from Keynes to Thomas Frank, and in the disturbing recent histories of deregulation and trickle-down economics. Furthermore, men need to share leadership with women, otherwise we would lose half the planet’s brainpower and “God will not solve problems we have created for ourselves.” Mulley is not given to digressions, but, fortunately for readers, he likes to root around in his ideas to flesh out his train of thought. The central idea is his tri-world perspective: Existence is composed of the natural world, which we inhabit; the human-made world that we manufacture; and our personal experiential world—what he refers to as the “ethereal world.” Yet too often we have taken the wrong tack in our relationship with each “world” because we fail to think species-wide. Instead, Mulley points out, we often think and act individualistically or within one exclusive world, without a sense of universal, shared obligation—not in a navel-gazing way, Mulley clarifies, but cogently and humanly, with an embracing awareness. His examples are legion: of the natural world, we show no respect for the finiteness of Earth’s resources while we busily squander our natural equity. On the human level, our diverseness is misconstrued as a cause for divisiveness and self-righteousness, rather than as a foundation for the “many beautiful and wonderful things that deserve recognition and elucidation.” Religion, on the other hand, tends to propagate contradicting realms of exclusiveness that downplay the natural and human-made worlds. Mulley’s points are doled out plain as day, in impressively accessible fashion. It’s a persuasive argument for augmenting the value of human caring, reconsidering the distribution of wealth and assuming environmental responsibility. At the very least, readers will realistically, optimistically reconsider the way the world works, as well as his or her place in it—that’s a victory in itself.
An observant, inclusive and empathetic worldview that’s practicable, too, although Mulley admits its fulfillment would be a giant leap for mankind.Pub Date: June 29, 2011
ISBN: 978-0983384502
Page Count: 266
Publisher: Red Feather
Review Posted Online: Feb. 27, 2012
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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