Janeites, rejoice! This novel is long enough to suit the largest pot of tea, and non-Janeites might like it, too.
An affecting, and even somewhat feminist, return to the world of the Austen family and its offshoots.
Fanny Knight—Jane Austen’s niece and a principal character in Hornby’s Godmersham Park (2022)—appears early in this pleasingly long ramble through the life cycles of two families, the Knights and the Knatchbulls. When she accepts Sir Edward Knatchbull’s proposal of marriage, she becomes stepmother to his five children as well as the tie between her family’s modest estate, Godmersham Park, and her husband’s grander one at Mersham-le-Hatch. But the heroine of this third volume based on Jane Austen’s relations is Fanny’s stepdaughter, Mary Dorothea Knatchbull. Just 13 when her father remarries, Mary conducts a war of détente with Fanny that might have impressed Napoleon, peppering their infrequent exchanges with deadly pauses: “…Ma-ma.” As Fanny falters under her husband’s defenses of the status quo, Mary Dorothea lives with the Knights for a bit and discovers a happier lifestyle, becoming close to Austen’s nieces Louisa and Cassy. There’s a method to the author’s impeccably researched look at 19th-century manners: Not only does she get to the titular event (never fear, there’s an Austen-worthy young gentleman involved), but she shows the choices available to the era’s women. For every mother of five or seven or even 15 (like Austen’s niece Lizzie, who lived to “a long and happy old age”), there’s an interfering Lady Banks, a coquettish Lady Elizabeth Bligh, or a stalwart helpmeet like Miss Cassandra Austen (who, in real life, burned many of her brilliant sister’s letters after Jane’s death). Fortunately, as Mary grows into her own, readers will find observations from her and others that underscore changing notions of how women can gain a measure of control, even if it’s only over whom to marry. At her coming-out dance, Mary thinks: “It was almost as if humans only truly examined their own selves, and took little to no notice of others.” Austen herself would approve.
Janeites, rejoice! This novel is long enough to suit the largest pot of tea, and non-Janeites might like it, too.Pub Date: Oct. 7, 2025
ISBN: 9781639369652
Page Count: 400
Publisher: Pegasus
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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